Juilliard String Quartet, Leonard Bernstein's 'Piano Quintet in E-flat Major, Op. 44: II. In modo d'una Marcia. Un poco largamente - Agitato' had a release date set for 1967. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Juilliard String Quartet's "Juilliard String Quartet: Great Collaborations" album is number 2 out of 20. On top of that, United States appears to be the country where this track was created. Piano Quintet in E-flat Major, Op. 44: II. In modo d'una Marcia. Un poco largamente - Agitato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Quintet in E-flat Major, Op. 44: II. In modo d'una Marcia. Un poco largamente - Agitato by Juilliard String Quartet, Leonard Bernstein to be Adagio (slowly with great expression) because the track has a tempo of 75 テンポ, a half-time of 38テンポ, and a double-time of 150 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Hungarian Folksongs from the Csìk District, BB 45b, Sz. 35a | Béla Bartók, Zoltán Kocsis | F♯ Minor | 0 | 11A | 62 BPM | ||
Piano Concerto No.5 in F, Op.103 "Egyptian": 3. Molto allegro | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | C Major | 3 | 8B | 78 BPM | ||
The Firebird Suite (1919 Version): Infernal Dance of King Kashchei - Remastered | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | E Minor | 5 | 9A | 83 BPM | ||
Verklärte Nacht, Op.4: 4. Sehr breit und langsam (bar 229) | Arnold Schoenberg, Janine Jansen, Boris Brovtsyn, Amihai Grosz, Maxim Rysanov, Torleif Thedéen, Jens-Peter Maintz | D♭ Major | 1 | 3B | 91 BPM | ||
Concierto Para Piano Y Orquesta En Sol Mayor - Adagio Assai | Martha Argerich | E Major | 1 | 12B | 78 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Mariinsky Orchestra, Valery Gergiev | A Minor | 0 | 8A | 77 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: I. Allegro vivo appassionato | Bedřich Smetana, Pavel Haas Quartet | E Minor | 1 | 9A | 84 BPM | ||
Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | B♭ Major | 4 | 6B | 106 BPM | ||
Lento, ma non troppo | Frédéric Chopin, Vladimir Horowitz | D♭ Major | 6 | 3B | 105 BPM | ||
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Anne-Sophie Mutter, Seiji Ozawa, Orchestre National De France | C Minor | 2 | 5A | 80 BPM |