"Tota Pulchra Es Maria for Mixed Choir a Cappella" by Marian Sawa, Chór Polskiego Radia, Orkiestra Filharmonii Częstochowskiej, Jerzy Swoboda was released on October 1, 2020. Tota Pulchra Es Maria for Mixed Choir a Cappella is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. The track order of this song in Various Artists's "Gaude Mater 6 - International Festival O Sacred Music. Polish Contemporary Sacred Music (World Premiere Recording)" album is number 8 out of 9. On top of that, France appears to be the country where this track was created. In terms of popularity, Tota Pulchra Es Maria for Mixed Choir a Cappella is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tota Pulchra Es Maria for Mixed Choir a Cappella by Marian Sawa, Chór Polskiego Radia, Orkiestra Filharmonii Częstochowskiej, Jerzy Swoboda to be Moderato (at a moderate speed) because the track has a tempo of 112 テンポ, a half-time of 56テンポ, and a double-time of 224 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa in E-Flat Major, Op. 109: I. Kyrie | Josef Rheinberger, Musica Sacra, Indra Hughes | B♭ Major | 2 | 6B | 137 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Congratulamini Mihi, Omnes | Cantores in Ecclesia | B♭ Major | 2 | 6B | 94 BPM | ||
The Way Through the Woods | Anna Disley-Simpson, National Youth Choir Of Great Britain, Ben Parry | D Major | 0 | 10B | 184 BPM | ||
Divine Echoes II | Christian Chants, Gregorian Chants, Gregorian Chant | D Major | 1 | 10B | 132 BPM | ||
Mass of the Americas: VI. Agnus Dei | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | A Minor | 1 | 8A | 105 BPM | ||
Stille Nacht | Amanda Roswick, Nicholas Pitcher | D♭ Major | 1 | 3B | 80 BPM | ||
Like a Darling: No. 3, Together | Steven Serpa, Jessica Bush, Chorosynthesis Singers, Jeremiah Selvey | E Major | 0 | 12B | 79 BPM | ||
You Can Never Be A Priest | Alex Heffes | D Minor | 1 | 7A | 76 BPM | ||
The Day You Gave Us, Lord, Is Ended (Arr. Michael Leighton Jones) | The Choir of Trinity College, Melbourne, Jonathan Bradley, Michael Leighton Jones | G Major | 2 | 9B | 83 BPM |