"Le fils des etoiles: II. Prelude du 2eme acte - L´initiation - Theme decoratif - La salle basse du Grand Temple" by Erik Satie, Roland Pöntinen was released on June 30, 1998. The duration of Le fils des etoiles: II. Prelude du 2eme acte - L´initiation - Theme decoratif - La salle basse du Grand Temple is about 3 minutes long, at 3:16. Based on our data, "Le fils des etoiles: II. Prelude du 2eme acte - L´initiation - Theme decoratif - La salle basse du Grand Temple" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "Satie: Piano Music". In this album, this song's track order is #14. Based on our statistics, Le fils des etoiles: II. Prelude du 2eme acte - L´initiation - Theme decoratif - La salle basse du Grand Temple's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Le fils des etoiles: II. Prelude du 2eme acte - L´initiation - Theme decoratif - La salle basse du Grand Temple by Erik Satie, Roland Pöntinen having a テンポ of 142 with a half-time of 71 テンポ and a double-time of 284 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Limu, limu, lima (Arr. Schindler for Piano) | Lang Lang | E Minor | 0 | 9A | 69 BPM | ||
NO ROADMAP TO ADULTHOOD / Chilly Gonzales: Prelude in C Sharp Major | Chilly Gonzales, Alice Sara Ott | E♭ Minor | 0 | 2A | 70 BPM | ||
Mahler / Transcr. Tharaud: Symphony No. 5 in C-Sharp Minor, Pt. 3: IV. Adagietto | Gustav Mahler, Alexandre Tharaud | F Major | 0 | 7B | 71 BPM | ||
Caresse | Erik Satie, Klara Kormendi | C Major | 0 | 8B | 206 BPM | ||
Poem | Zdeněk Fibich, Alistair McGowan | B♭ Major | 1 | 6B | 63 BPM | ||
Gymnopédie No. 1 | Erik Satie, Francis Poulenc | G Major | 0 | 9B | 91 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Erik Satie: Gymnopédie No. 3 | Pyotr Godunov | A Minor | 0 | 8A | 132 BPM | ||
Ave María (Arr. Víkingur Ólafsson) - Upright Piano | Sigvaldi Kaldalóns, Víkingur Ólafsson | E♭ Major | 0 | 5B | 101 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM |