"Otello: "Ma mère avait une pauvre servante"" by Orchestre De La Société Des Concerts Du Conservatoire, Gustave Cloez, Geori Boue was released on January 30, 2012. With this song being about 5 minutes long, at 4:35, "Otello: "Ma mère avait une pauvre servante"" by Orchestre De La Société Des Concerts Du Conservatoire, Gustave Cloez, Geori Boue is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "Singer Portrait - Géori Boué". In this album, this song's track order is #7. In terms of popularity, Otello: "Ma mère avait une pauvre servante" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Otello: "Ma mère avait une pauvre servante" by Orchestre De La Société Des Concerts Du Conservatoire, Gustave Cloez, Geori Boue having a テンポ of 111 with a half-time of 56 テンポ and a double-time of 222 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade: The Young Prince | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 91 BPM | ||
Pelléas et Mélisande (2006 Digital Remaster), Act IV, Scene Two: Interlude | Claude Debussy, Roger Desormière/Choeurs Yvonne Gouverné/Orchestre Symphonique de Paris, Roger Desormiere, Orchestre Symphonique De Paris | F Minor | 0 | 4A | 116 BPM | ||
Peer Gynt, Op. 23, Act IV Scene 10: Solveigs sang (Solveig's Song) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E♭ Major | 1 | 5B | 153 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Marche funebre | Luigi Cherubini, Radio Svizzera Italiana Orchestra, Diego Fasolis | D Minor | 0 | 7A | 82 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act II: C'est mon Coppélius (Coppélius/Nicklausse/Hoffmann) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | B♭ Major | 2 | 6B | 81 BPM | ||
Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Cristian Mandeal, George Enescu Philharmonic Orchestra, Bucharest | G Minor | 2 | 6A | 73 BPM | ||
Don Giovanni K527 (1987 Digital Remaster): Mi tradì quell' alma ingrata | Maria Callas, Orchestre De La Société Des Concerts Du Conservatoire, Nicola Rescigno | E♭ Major | 1 | 5B | 90 BPM | ||
Les Contes d'Hoffmann / Act 1: "Glou, glou, glou! Je suis la bière" | Jacques Offenbach, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | F Major | 1 | 7B | 114 BPM | ||
Petrouchka, K012: The Shrovetide Fair | Igor Stravinsky, Julius Katchen, The Paris Conservatoire Orchestra, Pierre Monteux | C Minor | 2 | 5A | 136 BPM |