"Le nozze di Figaro, K.492 / Act 1: "Non so più cosa son, cosa faccio"" by Wolfgang Amadeus Mozart, Anne Sofie von Otter, Metropolitan Opera Orchestra, James Levine was released on January 1, 1980. The duration of Le nozze di Figaro, K.492 / Act 1: "Non so più cosa son, cosa faccio" is about 3 minutes long, at 3:05. Based on our data, "Le nozze di Figaro, K.492 / Act 1: "Non so più cosa son, cosa faccio"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wolfgang Amadeus Mozart, James Levine, Metropolitan Opera Orchestra's "Mozart : Les Noces de Figaro (extraits)" album is number 6 out of 20. On top of that, Germany appears to be the country where this track was created. Le nozze di Figaro, K.492 / Act 1: "Non so più cosa son, cosa faccio" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Le nozze di Figaro, K.492 / Act 1: "Non so più cosa son, cosa faccio" by Wolfgang Amadeus Mozart, Anne Sofie von Otter, Metropolitan Opera Orchestra, James Levine to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Pasquale / Act 1: "Bella siccome un angelo" | Gaetano Donizetti, Bryn Terfel, Metropolitan Opera Orchestra, James Levine | E Major | 2 | 12B | 107 BPM | ||
Die Schöpfung Hob. XXI:2 / Zweiter Teil: 19. Chor mit Soli: Der Herr ist groß in seiner Macht | Joseph Haydn, Gösta Winbergh, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | A Major | 4 | 11B | 59 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 6: Terzetto - Susanna, Or Via Sortite? | Donato Di Stefano, Maria Pia Ionata, Roberto Frontali, Patrizia Pace, Jozsef Mukk, Natale de Carolis, Ingrid Kertesi, Hungarian State Opera Orchestra, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | C Major | 2 | 8B | 73 BPM | ||
Don Pasquale - original version / Act 3: "Quel guardo il cavaliere" | Gaetano Donizetti, Kathleen Battle, Metropolitan Opera Orchestra, James Levine, Max Epstein | A♭ Major | 3 | 4B | 149 BPM | ||
Così fan tutte, K. 588: Act 1: "Abbraciami, Idol Mio" - Quintetto "Di Scrivermi Ogni Giorno" - Coro "Bella Vita Militar!" / Sc. 6 - Recitativo "Dove Son?" | Wolfgang Amadeus Mozart, Concerto Köln, Bernarda Fink, Pietro Spagnoli, Véronique Gens, Marcel Boone, Werner Güra, Kölner Kammerchor, René Jacobs | F Major | 0 | 7B | 81 BPM | ||
Le nozze di Figaro, K.492 / Act 3: "E Susanna non vien!" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | G Major | 1 | 9B | 98 BPM | ||
Don Giovanni, K. 527: Da qual tremore insolito | Wolfgang Amadeus Mozart, Ruggero Raimondi, José van Dam, Chorus & Orchestra of the Théâtre National de l'Opera, Paris, Lorin Maazel | C Major | 0 | 8B | 166 BPM | ||
Die Schöpfung Hob. XXI:2 / Erster Teil: 2. Arie mit Chor: Nun schwanden vor dem heiligen Strahle | Joseph Haydn, Gösta Winbergh, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | A Major | 1 | 11B | 84 BPM | ||
L'elisir d'amore, Act I: "Benedette queste carte!" | Gaetano Donizetti, Kathleen Battle, Dawn Upshaw, Luciano Pavarotti, Metropolitan Opera Chorus, David Stivender, Metropolitan Opera Orchestra, James Levine | E Major | 1 | 12B | 102 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Duet. "Akh, noch minula" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Ruthild Engert-Ely, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM |