Johann Sebastian Bach, Keith Jarrett made "Das Wohltemperierte Klavier: Book 1, BWV 846-869: 1. Prelude in F Minor, BWV 857" available on April 25, 1988. The duration of Das Wohltemperierte Klavier: Book 1, BWV 846-869: 1. Prelude in F Minor, BWV 857 is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Das Wohltemperierte Klavier: Book 1, BWV 846-869: 1. Prelude in F Minor, BWV 857's duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 48 in Bach: Das Wohltemperierte Klavier - Buch I (BWV 846 - 869) by Johann Sebastian Bach, Keith Jarrett. Das Wohltemperierte Klavier: Book 1, BWV 846-869: 1. Prelude in F Minor, BWV 857 is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Das Wohltemperierte Klavier: Book 1, BWV 846-869: 1. Prelude in F Minor, BWV 857 by Johann Sebastian Bach, Keith Jarrett is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
(Ré)inventio: No. 14 in B-Flat Major [After J.S. Bach's BWV 785] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Alon Goldstein | D Minor | 2 | 7A | 121 BPM | ||
6 Etudes, Op. 111: IIIb. Fugue. Moderato espressivo | Camille Saint-Saëns, Piers Lane | C Major | 1 | 8B | 91 BPM | ||
Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Piano): III. Andante | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | B Minor | 0 | 10A | 180 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Brandenburg Concerto No. 2 In F Major, Bwv 1047: II. Andante | Cologne Chamber Orchestra, Johann Sebastian Bach | D Minor | 1 | 7A | 124 BPM | ||
Concerto For 4 Harpsichords, Strings, And Continuo In A Minor, BWV 1065: 1. (Allegro) | Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, David Collyer, Amsterdam Baroque Orchestra | A♭ Minor | 5 | 1A | 98 BPM | ||
Viola da gamba Sonata in G Minor, BWV 1029 (Arr. for Cello & Piano): II. Adagio | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | B Minor | 2 | 10A | 93 BPM | ||
Concerto No. 5 In D Major BWV1050 - Allegro | Jordi Savall, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Concerto in D major, after Vivaldi, BWV 972: Allegro | Ivo Janssen | D Major | 3 | 10B | 104 BPM |