"Saint-Saëns / Arr. Godowsky: Le carnaval des animaux, R 125: XIII. Le cygne" by Camille Saint-Saëns, Alexandre Tharaud was released on October 21, 2013. The duration of Saint-Saëns / Arr. Godowsky: Le carnaval des animaux, R 125: XIII. Le cygne is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Saint-Saëns / Arr. Godowsky: Le carnaval des animaux, R 125: XIII. Le cygne's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 23 in Autograph by Alexandre Tharaud. Saint-Saëns / Arr. Godowsky: Le carnaval des animaux, R 125: XIII. Le cygne is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Saint-Saëns / Arr. Godowsky: Le carnaval des animaux, R 125: XIII. Le cygne by Camille Saint-Saëns, Alexandre Tharaud is Adagio (slowly with great expression), since this song has a tempo of 70 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann: Träumerei from Kinderszenen, Op. 15 | Robert Schumann, Aurélien Pontier | B Minor | 2 | 10A | 68 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | ||
Cello Sonata No. 1 in C Minor, Op. 32: II. Andante tranquillo sostenuto | Camille Saint-Saëns, Maria Kliegel, François-Joël Thiollier | A♭ Minor | 1 | 1A | 173 BPM | ||
Montero: Improvisation on Pachelbel's Canon | Gabriela Montero | D♭ Major | 0 | 3B | 133 BPM | ||
Bach, JS: Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus Tragicus": No. 2, Chöre, Arioso und Aria. "Gottes Zeit ist die allerbeste Zeit" (Arr. Kurtág for Piano 4-Hands) | Johann Sebastian Bach, Alexandre Tharaud, David Fray | B Minor | 0 | 10A | 111 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM | ||
Nocturne No. 4 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 69 BPM |