"W.A. Mozart: Popoli di Tessaglia! - Io non chiedo, eterni Dei, KV 316 (300b)/Rezitativ und Arie/Io non chiedo, eterna Dei" by Herbert Blomstedt, Edda Moser, Staatskapelle Dresden was released on 1981. Since W.A. Mozart: Popoli di Tessaglia! - Io non chiedo, eterni Dei, KV 316 (300b)/Rezitativ und Arie/Io non chiedo, eterna Dei is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wolfgang Amadeus Mozart: Konzertarien/Concert Arias by Herbert Blomstedt. The song's track number on the album is #4 out of 8 tracks. W.A. Mozart: Popoli di Tessaglia! - Io non chiedo, eterni Dei, KV 316 (300b)/Rezitativ und Arie/Io non chiedo, eterna Dei is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since W.A. Mozart: Popoli di Tessaglia! - Io non chiedo, eterni Dei, KV 316 (300b)/Rezitativ und Arie/Io non chiedo, eterna Dei by Herbert Blomstedt, Edda Moser, Staatskapelle Dresden has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With W.A. Mozart: Popoli di Tessaglia! - Io non chiedo, eterni Dei, KV 316 (300b)/Rezitativ und Arie/Io non chiedo, eterna Dei being at 78 テンポ, the half-time would be 39 テンポ with a double-time of 156 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 6 in F Major, Op. 68 'Pastoral': I. Allegro ma non troppo (2) | Ludwig van Beethoven, Staatskapelle Dresden, Herbert Blomstedt | B♭ Major | 0 | 6B | 135 BPM | ||
Symphony No. 3 in C, Op. 52: 2. Andantino con moto, quasi allegretto | Jean Sibelius, San Francisco Symphony, Herbert Blomstedt | B Major | 0 | 1B | 95 BPM | ||
La gazza ladra: Overture | Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado | E Major | 2 | 12B | 99 BPM | ||
Peer Gynt, Op.23 - Incidental Music: No.15. Arabian dance | Edvard Grieg, Wendy White, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | F Major | 2 | 7B | 124 BPM | ||
Le roi s'amuse: Madrigal | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 0 | 11B | 82 BPM | ||
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Introduction - Thema | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | B♭ Minor | 1 | 3A | 136 BPM | ||
Piano Quartet in E flat, Op.47: 3. Andante cantabile | Robert Schumann, Beaux Arts Trio, Samuel Rhodes | B♭ Major | 0 | 6B | 67 BPM | ||
Polonaise No. 3 in A Major, Op. 40, No. 1 'Military' | Frédéric Chopin, Rafał Blechacz | D Minor | 2 | 7A | 139 BPM | ||
Symphony No. 104 in D Major, Hob.I:104, "London": III. Menuet - Trio | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | D Major | 1 | 10B | 136 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM |