H.P. Lovecraft made "Kapitel 1 (H. P. Lovecraft: Cthulhus Ruf - Hörbuch).2 - H. P. Lovecraft: Cthulhus Ruf" available on October 17, 2022. The duration of Kapitel 1 (H. P. Lovecraft: Cthulhus Ruf - Hörbuch).2 - H. P. Lovecraft: Cthulhus Ruf is about 3 minutes long, at 3:25. Based on our data, "Kapitel 1 (H. P. Lovecraft: Cthulhus Ruf - Hörbuch).2 - H. P. Lovecraft: Cthulhus Ruf" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in H.P. Lovecraft's "H. P. Lovecraft: Cthulhus Ruf" album is number 2 out of 29. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Kapitel 1 (H. P. Lovecraft: Cthulhus Ruf - Hörbuch).2 - H. P. Lovecraft: Cthulhus Ruf is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kapitel 1 (H. P. Lovecraft: Cthulhus Ruf - Hörbuch).2 - H. P. Lovecraft: Cthulhus Ruf by H.P. Lovecraft to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hintergrundinformationen zu H. P. Lovecrafts Novelle - Der Schatten über Innsmouth - Teil 04 | Nana Spier, David Nathan, S.T. Joshi | F♯ Major | 6 | 2B | 168 BPM | ||
Kapitel 8 - Folge 185: Die Musik des Erich Zann | Gruselkabinett, H.P. Lovecraft, Martin May, Yens Rahba, Arianne Borbach, Hans Bayer | A Major | 7 | 11B | 66 BPM | ||
Kapitel 8 - Folge 24/25: Der Fall Charles Dexter Ward (komplett) | Gruselkabinett, H.P. Lovecraft, Ernst Meincke, Hans-Werner Bussinger, Cornelia Meinhardt, Frank Schaff | D♭ Major | 3 | 3B | 119 BPM | ||
Kapitel 88 - Verliebe dich besser nicht - Verliebe Dich, Buch 1 | D. C. Odesza, Lotto Fuchs, Kai Schulz, Martin Kautz | F Minor | 2 | 4A | 82 BPM | ||
Kapitel 193 - Die Erben der Animox 5. Die Rache des Tigers | Aimée Carter, Die Erben der Animox | F♯ Minor | 4 | 11A | 123 BPM | ||
Teil 2 - Folge 14: Die letzte Schlacht, Pt. 3 | Faith - The Van Helsing Chronicles, Simeon Hrissomallis, Nana Spier, David Nathan, Dorette Hugo, Boris Tessmann, Thomas Nero Wolff, Udo Schenk, Helmut Krauss, Klaus Sonnenschein, Tobias Meister, Kim Hasper, Torsten Michaelis, Martin Kessler, Barbara Stoll, Roswitha Benda, Thomas Danneberg, Thilo Schmitz, Lutz Mackensy, Klaus-Dieter Klebsch, Wolfgang Strauss, Christian Rode, Dagmar Dreke, Thomas Birker, Joschi Hajek, Lutz Riedel | D♭ Major | 5 | 3B | 81 BPM | ||
Kapitel 21 - Folge 66/67: Der Schatten über Innsmouth (komplett) | Gruselkabinett, H.P. Lovecraft, Louis Friedemann Thiele, Reinhilt Schneider, Ronald Nitschke, Jessy Rameik, Hans-Jürgen Wolf | D♭ Major | 5 | 3B | 130 BPM | ||
Track 16 - Das Mutanten-Korps - Perry Rhodan - Silber Edition 2 | Clark Darlton, K. H. Scheer, Kurt Mahr, Winfried W. Shols, Josef Tratnik | F♯ Minor | 4 | 11A | 121 BPM | ||
Kapitel 2.2 & Kapitel 3.1 - Vatermord - Ein Fall für Carol Jordan und Tony Hill 6 | Val McDermid, Stefan Wilkening, Carol Jordan und Tony Hill | B♭ Minor | 3 | 3A | 82 BPM | ||
Kapitel 61.2 - Vatermord - Ein Fall für Carol Jordan und Tony Hill 6 | Val McDermid, Stefan Wilkening, Carol Jordan und Tony Hill | D♭ Major | 4 | 3B | 77 BPM |