On 1993, the song "New Hampshire Hornpipe (from "On Golden Pond")" was released by James Galway, Vincent Fanuele. With New Hampshire Hornpipe (from "On Golden Pond") being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in James Galway's "James Galway at the Movies" album is number 4 out of 17. On top of that, United States appears to be the country where this track was created. In terms of popularity, New Hampshire Hornpipe (from "On Golden Pond") is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of New Hampshire Hornpipe (from "On Golden Pond") by James Galway, Vincent Fanuele to be Moderato (at a moderate speed) because the track has a tempo of 117 テンポ, a half-time of 58テンポ, and a double-time of 234 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart - Wedding March, from The Marriage of Figaro | L'Inviti Players | C Major | 1 | 8B | 128 BPM | ||
6 Miniatures (Arr. T. Batiashvili for Violin & Orchestra): No. 2, Suliko | Sulkhan Tsintsadze, Lisa Batiashvili, Georgisches Kammerorchester | A Major | 0 | 11B | 131 BPM | ||
Flute and Harp Concerto in C, K.299: II. Andantino | Fritz Helmis, Herbert von Karajan, Berliner Philharmoniker, James Galway | C Major | 1 | 8B | 117 BPM | ||
Violin Concerto In E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester, Kurt Masur | C Major | 1 | 8B | 103 BPM | ||
Orfeo ed Euridice: Dance of the Blessed Spirits | Christoph Willibald Gluck, Slovak State Philharmonic Orchestra, Johannes Wildner | F Major | 0 | 7B | 138 BPM | ||
Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM | ||
Cinque Pezzi Facili: Pavana | Nino Rota, James Galway | G Minor | 0 | 6A | 86 BPM | ||
IV. Ballet | Claude Debussy, James Galway, Marisa Robles, Graham Oppenheimer | D Minor | 2 | 7A | 105 BPM | ||
Voyage for Flute and String Orchestra - Remastered | John Corigliano, James Galway, David Effron | F Minor | 3 | 4A | 143 BPM | ||
The Horse Whisperer | Thomas Newman, James Galway, London Mozart Players, Tom Kochan | B♭ Minor | 2 | 3A | 145 BPM |