"Tom Bowling" by Charles Dibdin, Royal Philharmonic Orchestra had its release date on 2015. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Tom Bowling's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Royal Philharmonic Orchestra's "Last Night of the Proms" album is number 17 out of 17. On top of that, Australia appears to be the country where this track was created. In terms of popularity, Tom Bowling is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tom Bowling by Charles Dibdin, Royal Philharmonic Orchestra to be Andante (at a walking pace) because the track has a tempo of 98 テンポ, a half-time of 49テンポ, and a double-time of 196 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haugtussa, Op. 67: VII. Vond dag | Charlotte Hoather, George Todica | B♭ Minor | 1 | 3A | 58 BPM | ||
Cypresses, B. 152: No. 9, Thou Only Dear One, but for Thee. Moderato | Antonín Dvořák, Panocha Quartet | G Minor | 1 | 6A | 90 BPM | ||
3 Romances: Andante molto | Clara Schumann, Shirley Brill, Jonathan Aner | D♭ Major | 0 | 3B | 170 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
5 Preludes: No. 4. Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 0 BPM | ||
ICC 101: La lune paresseuse | Cécile Chaminade, Sivan Goldman, Shira Shaked | C Major | 2 | 8B | 129 BPM | ||
Masques et Bergamasques, Op. 112: III. Gavotte | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
Karelia Suite, Op. 11: II. Ballade. Tempo di Menuetto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | C Minor | 2 | 5A | 144 BPM | ||
Petite Messe solennelle - Kyrie: Christe | Gioachino Rossini, Academy of St Martin in the Fields Chorus, Sir Neville Marriner | F Minor | 0 | 4A | 129 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 2, Stehe still | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM |