"Facing the Barre (Contiguous, No Repeat) 3/4 [64], 2/4 [64], 6/8 [16]" by Tatyana Grigoryants was released on October 5, 2016. The duration of Facing the Barre (Contiguous, No Repeat) 3/4 [64], 2/4 [64], 6/8 [16] is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Facing the Barre (Contiguous, No Repeat) 3/4 [64], 2/4 [64], 6/8 [16]'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Tatyana Grigoryants's "Improvised Compositions for Ballet Class; Beginning, Intermediate, Advanced" album is number 1 out of 30. On top of that, United States appears to be the country where this track was created. Facing the Barre (Contiguous, No Repeat) 3/4 [64], 2/4 [64], 6/8 [16] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Facing the Barre (Contiguous, No Repeat) 3/4 [64], 2/4 [64], 6/8 [16] テンポ

We consider the tempo marking of Facing the Barre (Contiguous, No Repeat) 3/4 [64], 2/4 [64], 6/8 [16] by Tatyana Grigoryants to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Facing the Barre (Contiguous, No Repeat) 3/4 [64], 2/4 [64], 6/8 [16] キー

This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.