Coalesce's 'On Being a Bastard' came out on June 24, 1997. The duration of On Being a Bastard is about 3 minutes long, at 3:04. Based on our data, "On Being a Bastard" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 7 in Functioning on Impatience by Coalesce. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, On Being a Bastard's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of On Being a Bastard by Coalesce is Allegro (fast, quick, and bright), since this song has a tempo of 131 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beef Cattle | Kowloon Walled City | A♭ Major | 10 | 4B | 122 BPM | ||
Blue Dress | The Number Twelve Looks Like You | A Minor | 9 | 8A | 118 BPM | ||
Elegy | xElegyx | G Major | 9 | 9B | 89 BPM | ||
Pins And Needles | Deadguy | A Major | 9 | 11B | 112 BPM | ||
Drag the Wounds Eternal | Trap Them | F♯ Major | 9 | 2B | 140 BPM | ||
Baby Arm | Deadguy | A♭ Minor | 10 | 1A | 96 BPM | ||
Echoes | Undying | D♭ Major | 10 | 3B | 85 BPM | ||
Deathbed | 108 | B Major | 5 | 1B | 128 BPM | ||
Distorted Dreams | CANDY | F♯ Major | 10 | 2B | 69 BPM | ||
C. Thomas Howell as the “Soul Man” | Botch | A Major | 9 | 11B | 145 BPM |