"Glory be to the Father, and to the Son, and to the Holy Spirit" by USSR Ministry of Culture Chamber Choir, Valery Polyansky was released on June 9, 2006. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in USSR Ministry of Culture Chamber Choir's "Liturgy of St. John Chrysostom for Mixed Choir a cappella, Op. 41" album is number 2 out of 15. On top of that, United States appears to be the country where this track was created. The popularity of Glory be to the Father, and to the Son, and to the Holy Spirit is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Glory be to the Father, and to the Son, and to the Holy Spirit by USSR Ministry of Culture Chamber Choir, Valery Polyansky to be Vivace (lively and fast) because the track has a tempo of 166 テンポ, a half-time of 83テンポ, and a double-time of 332 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sanctum Et Immaculata | Monks Of The Abbey Of Notre Dame | E Minor | 0 | 9A | 101 BPM | ||
Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM | ||
O come, let us worship | USSR Ministry of Culture Chamber Choir, Valery Polyansky | B Major | 2 | 1B | 91 BPM | ||
Our Father (N. Kedrov - Elder) | S. Serafimovich, F. Stroganov, Ascention Church Choir (Maloe), Moscow | E Major | 0 | 12B | 79 BPM | ||
Chant Lithurgique (Paix Avec Nous) | Ensemble des chants et choeurs russes orthodoxes | D♭ Minor | 0 | 12A | 74 BPM | ||
Requiem - Herbert Howells: III. Requiem Aeternam (I) | Dale Warland Singers | E Minor | 0 | 9A | 83 BPM | ||
La mi la Sol | Heinrich Isaac, Dorothee Mields, Boreas Quartett Bremen | E♭ Minor | 0 | 2A | 75 BPM | ||
Ode 4 of the Canon of the Precious Cross | Cappella Romana, Alexander Lingas | E Major | 2 | 12B | 73 BPM | ||
The Beatitudes | Vladimir Martynov, Conspirare, Craig Hella Johnson | B♭ Major | 1 | 6B | 90 BPM | ||
Hear My Prayer (Da ispravitsya molitva moya) | Pavel Chesnokov, Dmitri Hvorostovsky, Masters of Choral Singing, Lev Kontorovich | B Minor | 1 | 10A | 79 BPM |