Franz Liszt, Daniil Trifonov's '2 Etudes de Concert, S. 145: No. 2 Gnomenreigen' came out on October 7, 2016. The duration of 2 Etudes de Concert, S. 145: No. 2 Gnomenreigen is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. 2 Etudes de Concert, S. 145: No. 2 Gnomenreigen's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Transcendental - Daniil Trifonov Plays Franz Liszt (Etudes S. 139, S. 141, S. 144, S. 145)". In this album, this song's track order is #14. 2 Etudes de Concert, S. 145: No. 2 Gnomenreigen is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 2 Etudes de Concert, S. 145: No. 2 Gnomenreigen by Franz Liszt, Daniil Trifonov having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
A Midsummer Night's Dream, Op. 61: Scherzo (Transcr. by Sergueï Rachmaninov) | Felix Mendelssohn, Bertrand Chamayou | C Minor | 2 | 5A | 129 BPM | ||
Violin Concerto No. 5 in A Major, K. 219 "Turkish": 3. Rondeau (Tempo di minuetto) | Wolfgang Amadeus Mozart, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | A Major | 1 | 11B | 132 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Totentanz, Paraphrase On Dies Irae, S. 126 | Franz Liszt, S. Tiempo, Sergio Tiempo, Ion Marin, Orchestra della Svizzera Italiana | D Minor | 2 | 7A | 106 BPM | ||
Mahler: Symphony No. 2, "Resurrection": V. (b) Wieder sehr breit - Etwas energischer im Tempo - | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | F Minor | 2 | 4A | 69 BPM | ||
Balakirev : Islamey | Mily Balakirev, Boris Berezovsky | D Major | 2 | 10B | 73 BPM | ||
Prelude in F Minor | Clara Schumann, Jozef De Beenhouwer | F Minor | 1 | 4A | 90 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM |