"Concertino (From "Summer of ‘42")" by Michel Legrand, Alexandre Tharaud, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia was released on October 21, 2022. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 51 in Cinema by Alexandre Tharaud. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Concertino (From "Summer of ‘42") is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Concertino (From "Summer of ‘42") by Michel Legrand, Alexandre Tharaud, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia is Larghetto (rather broadly), since this song has a tempo of 66 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Une amitié | Philippe Rombi | C Major | 2 | 8B | 83 BPM | ||
Nocturnes, Op. 9: No. 1 in B Flat Minor. Larghetto | Frédéric Chopin, Jan Lisiecki | B♭ Minor | 0 | 3A | 72 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Concerto Magna Carta: II. Tenderly, with expression | John Brunning, Xuefei Yang, Royal Liverpool Philharmonic Orchestra, Clark Rundell | E Minor | 1 | 9A | 126 BPM | ||
Caro Diario: Medici | Nicola Piovani | F Major | 0 | 7B | 124 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
Les toits de Paris | Philippe Rombi | C Major | 1 | 8B | 88 BPM |