Jonathan Best made "Take Off" available on January 1, 2003. Take Off is about six minutes long, preciously at 6:28, making this song fairly long compared to other songs. There are a total of 18 in the song's album "Songs From Before I Got Laid". In this album, this song's track order is #13. Based on our statistics, Take Off's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Take Off by Jonathan Best having a テンポ of 127 with a half-time of 64 テンポ and a double-time of 254 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe basse: III. Benedictus | Gabriel Fauré, Isabelle Poulenard, Corydon Singers, Matthew Best, John Scott | A♭ Major | 0 | 4B | 105 BPM | ||
Byrd: Mass for Five Voices - 01. Kyrie | William Byrd, Peter Phillips, The Tallis Scholars | D Minor | 1 | 7A | 129 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad latus: Concerto "Surge, amica mea" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
L'Orfeo, Ato primo: III. Rosa del ciel | Claudio Monteverdi, Jordi Savall, Furio Zanasi, Arianna Savall, La Capella Reial De Catalunya, Le Concert Des Nations | D Minor | 1 | 7A | 130 BPM | ||
Also hat Gott die Welt geliebt, SWV 380 | Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze | F Minor | 2 | 4A | 72 BPM | ||
Prime die Lectio secunda: XIII. Zaïn | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 1 | 2B | 73 BPM | ||
In Nomine - "Re la re": In Nomine - "Re la re" | Christopher Tye, The Rose Consort Of Viols, Clare Wilkinson | D♭ Minor | 0 | 12A | 0 BPM | ||
Requiem, Kyrie: II. Christe eleison | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Raffaele Giordani | E♭ Major | 0 | 5B | 98 BPM | ||
Walkin' In the Middle Of It | Jonathan Best | D Minor | 5 | 7A | 121 BPM | ||
Assumpta est Maria a 6 (Motet): Assumpta est Maria a 6 (Motet) | Giovanni Pierluigi da Palestrina, The Sixteen | B♭ Major | 2 | 6B | 71 BPM |