Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla's 'Concerto Grosso in D Major, Op. 6, No. 1: II. Allegro' came out on December 1, 2014. With Concerto Grosso in D Major, Op. 6, No. 1: II. Allegro being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 63 in Corelli: 12 Concerti Grossi Op.6 by Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla. Going off of the ISRC code of this track, we detected that the origin of this track is from Hungary. Concerto Grosso in D Major, Op. 6, No. 1: II. Allegro is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto Grosso in D Major, Op. 6, No. 1: II. Allegro by Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla is Adagio (slowly with great expression), since this song has a tempo of 72 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto 6 in A Major, Op. 7: III. Giga allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | A♭ Major | 3 | 4B | 123 BPM | ||
Symphony in G Major: III. Presto | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 118 BPM | ||
Concerto for Oboe & Orchestra in C Major, K. 314/285d: III. Rondo. Allegro | Wolfgang Amadeus Mozart, Ingo Goritzki, Polish Chamber Philharmonic & Wojciech Rajski, Wojciech Rajski, Polish Chamber Philharmonic | F Major | 1 | 7B | 79 BPM | ||
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
Symphony No. 8 in D Minor, Op. 2, "Worcester Overture": III. Tempo di Gavotta | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 142 BPM | ||
Concerto in G major: Largo | Georg Philipp Telemann, Hartmut Rohde, Georg Mais | G Major | 0 | 9B | 166 BPM | ||
Horn Concerto No. 2 in D Major, Hob VIId:4: I. Allegro Moderato | Joseph Haydn, Michael Thompson, Philharmonia Orchestra | D Major | 0 | 10B | 116 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: II. Adagio | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | B♭ Minor | 0 | 3A | 115 BPM | ||
Trio Sonata for 2 Violins and Continuo in G, Op.5, No.4, HWV 399: 3. Passacaille | George Frideric Handel, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock | A Major | 2 | 11B | 115 BPM | ||
String Trio in D Major, Op. 14, No. 4, G. 98: I. Allegro giusto | Luigi Boccherini, La Real Cámara | A Major | 1 | 11B | 83 BPM |