"Oboe Concerto in A Minor: I. Rondo pastorale" by Ralph Vaughan Williams, Robert Haydon Clark, Consort of London was released on February 7, 1991. Since Oboe Concerto in A Minor: I. Rondo pastorale is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Williams: Oboe Concerto & The Lark Ascending by Ralph Vaughan Williams, Robert Haydon Clark, Consort of London. The song's track number on the album is #2 out of 7 tracks. The popularity of Oboe Concerto in A Minor: I. Rondo pastorale is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Oboe Concerto in A Minor: I. Rondo pastorale by Ralph Vaughan Williams, Robert Haydon Clark, Consort of London has a tempo of 169 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Oboe Concerto in A Minor: I. Rondo pastorale being at 169 テンポ, the half-time would be 84 テンポ with a double-time of 338 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio In G Minor | Tomaso Albinoni, Robert Haydon Clark, Consort of London | C Minor | 1 | 5A | 73 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Souvenir d'un lieu cher, Op. 42: 1. Meditation | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | B♭ Major | 1 | 6B | 114 BPM | ||
Impromptu No.2 in F sharp, Op.36 | Frédéric Chopin, Claudio Arrau | F♯ Major | 0 | 2B | 67 BPM | ||
Peer Gynt Suite, Op. 55, No. 2: Solveigs Lied | Slovak State Philharmonic Orchestra, Christian Ehwald | A Minor | 0 | 8A | 123 BPM | ||
Novacek: 8 Concert Caprices for Violin and Piano, Op. 5: IV. Perpetuum mobile in D Minor (Vivace non troppo) | Ottokar Novácek, Itzhak Perlman, Samuel Sanders | D Minor | 4 | 7A | 179 BPM | ||
Suite in 3 Movements, Op. 116: II. Idylle | Benjamin Godard, Kenneth Smith, Paul Rhodes | G Major | 1 | 9B | 65 BPM | ||
Vaughan Williams: Symphony No. 7 "Sinfonia Antartica": V. Epilogue. Alla marcia, moderato | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Chorus, Patricia Rozario, BBC Symphony Orchestra | C Major | 1 | 8B | 109 BPM | ||
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Herbert Waltl | D Major | 1 | 10B | 106 BPM | ||
A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 91 BPM |