"Puts: The Hours, Act 2: "Richard! Get Down from There" (Clarissa, Richard) [Live]" by Kevin Puts, Yannick Nézet-Séguin, Kyle Ketelsen, Renée Fleming, Metropolitan Opera Orchestra was released on April 26, 2024. Since Puts: The Hours, Act 2: "Richard! Get Down from There" (Clarissa, Richard) [Live] is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 26 in the song's album "Puts: The Hours (Live)". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United States. Puts: The Hours, Act 2: "Richard! Get Down from There" (Clarissa, Richard) [Live] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puts: The Hours, Act 2: "Richard! Get Down from There" (Clarissa, Richard) [Live] by Kevin Puts, Yannick Nézet-Séguin, Kyle Ketelsen, Renée Fleming, Metropolitan Opera Orchestra having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Summer Night - Suite from 'The Duenna', Op. 123: 2. Serenade | Bournemouth Symphony Orchestra, Paavo Berglund | C Major | 1 | 8B | 117 BPM | ||
Herons Faith | Paul Edward-Francis | C Major | 0 | 8B | 169 BPM | ||
Castor et Pollux, RCT 32: Tristes apprêts (Arr. for Voice & Accordion by Janne Valkeajoki) | Jean-Philippe Rameau, Janne Valkeajoki, Tuuli Lindeberg | A Minor | 2 | 8A | 70 BPM | ||
Symphony No. 2 in D Major, Op. 43: III. Vivacissimo | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Puts: The Hours, Act 1: "Good Morning, My Love!" (Clarissa, Richard, Angelica, Quentin, Julian) [Live] | Kevin Puts, Yannick Nézet-Séguin, Atticus Ware, Kyle Ketelsen, Lena Josephine Marano, Patrick Scott McDermott, Renée Fleming, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
A Child of our Time, Part I: The Narrator. Now in each nation there were some cast out... (Bass) | Michael Tippett, Ashley Riches, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker | E♭ Major | 0 | 5B | 83 BPM | ||
Eylsian Fields | Paul Edward-Francis | C Major | 0 | 8B | 169 BPM | ||
L'enfant et les sortilèges, M. 71, Pt. 1: Part I: Keng-ca-fou, Mah-jong (The Chinese Cup, The Tea Pot) | Maurice Ravel, Delphine Galou, Jean-Paul Fouchécourt, Orchestre National De Lyon, Leonard Slatkin | D♭ Minor | 1 | 12A | 130 BPM | ||
Orchestral Variations - 'The Seeds Long Hidden': Variation 5 | Anthony Payne, BBC Symphony Orchestra, Martyn Brabbins | B♭ Minor | 1 | 3A | 73 BPM |