"O vos angeli (Responsory to the Angels) [V fol. 159]" by Hildegard von Bingen, Sequentia, Benjamin Bagby was released on May 10, 2013. Since O vos angeli (Responsory to the Angels) [V fol. 159] is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Hildegard von Bingen, Sequentia's "Hildegard von Bingen - Celestial Hierarchy" album is number 10 out of 10. On top of that, United States appears to be the country where this track was created. Based on our statistics, O vos angeli (Responsory to the Angels) [V fol. 159]'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O vos angeli (Responsory to the Angels) [V fol. 159] by Hildegard von Bingen, Sequentia, Benjamin Bagby to be Allegro (fast, quick, and bright) because the track has a tempo of 130 テンポ, a half-time of 65テンポ, and a double-time of 260 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ochte Nash | KITKA Women's Vocal Ensemble | B♭ Major | 1 | 6B | 62 BPM | ||
La harpe de melodie (Virelai) | Jacob de Senleches, The Medieval Ensemble Of London, Peter Davies, Timothy Davies | F Major | 1 | 7B | 132 BPM | ||
Klusas dziemas (silent songs): II. Dusi dusi | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 80 BPM | ||
Stabat mater: Ave verum corpus | Karl Jenkins, Polyphony, Stephen Layton | B Major | 1 | 1B | 128 BPM | ||
Pavin of Albarti | Innocentio Alberti, The Rose Consort Of Viols | E Major | 0 | 12B | 78 BPM | ||
Karitas habundat | Hildegard von Bingen, Vajra Voices, Shira Kammen | G Major | 1 | 9B | 66 BPM | ||
Cherubic Hymn, Op. 7, No. 1 | Pavel Chesnokov, Conspirare, Craig Hella Johnson | B Minor | 1 | 10A | 145 BPM | ||
Chiaro | György Orbán, Ars Nova, Katalin Kiss | D Major | 1 | 10B | 75 BPM | ||
Покаяния отверзи ми двери | St. Peter St. Paul Cathedral Choir of Minsk | G Major | 2 | 9B | 66 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM |