Sergei Rachmaninoff, Valentina Lisitsa's '10 Preludes, Op.23: No.5 in G Minor - Live At The Royal Albert Hall/2012' came out on March 14, 2020. The duration of 10 Preludes, Op.23: No.5 in G Minor - Live At The Royal Albert Hall/2012 is about 3 minutes long, at 3:29. Based on our data, "10 Preludes, Op.23: No.5 in G Minor - Live At The Royal Albert Hall/2012" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 30 in the song's album "Rachmaninov". In this album, this song's track order is #29. Based on our statistics, 10 Preludes, Op.23: No.5 in G Minor - Live At The Royal Albert Hall/2012's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 10 Preludes, Op.23: No.5 in G Minor - Live At The Royal Albert Hall/2012 by Sergei Rachmaninoff, Valentina Lisitsa having a テンポ of 127 with a half-time of 64 テンポ and a double-time of 254 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Schubert: 6 Moments musicaux, Op. 94, D. 780: No. 3 in F Minor (Allegro moderato) | Franz Schubert, Stephen Kovacevich | F Minor | 0 | 4A | 72 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
The Hours: I'm Going To Make A Cake (Arr. Michael Riesman) | Philip Glass, Valentina Lisitsa | F Major | 1 | 7B | 130 BPM | ||
Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise (Transcr. Strauss & Rizikov for Cello and Piano) | Sergei Rachmaninoff, Lisa Strauss, Anastasia Rizikov | F♯ Major | 0 | 2B | 66 BPM | ||
Sicilienne (from Concerto in D minor, BWV 596) | Johann Sebastian Bach, Antonio Vivaldi, Arcadi Volodos | G Minor | 0 | 6A | 138 BPM | ||
Rachmaninov: Scherzo in D Minor | Sergei Rachmaninoff, St Petersburg Philharmonic Orchestra (Leningrad)/Mariss Jansons, Mariss Jansons | D Minor | 1 | 7A | 109 BPM | ||
Jeux d'eau | Maurice Ravel, Werner Haas | D♭ Minor | 1 | 12A | 70 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht | Bedřich Smetana, Jitka Čechová | A♭ Minor | 2 | 1A | 76 BPM | ||
The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies") | Edvard Grieg, Yo-Yo Ma, Kathryn Stott | G Major | 1 | 9B | 81 BPM |