"Requiem in D Minor, K. 626: III. Seq. 5, Confutatis maledictis" by Wolfgang Amadeus Mozart, Peter Neumann, Collegium Cartusianum Köln was released on June 5, 2021. The duration of Requiem in D Minor, K. 626: III. Seq. 5, Confutatis maledictis is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Requiem in D Minor, K. 626: III. Seq. 5, Confutatis maledictis's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Gaming Symphony" album is number 14 out of 26. Requiem in D Minor, K. 626: III. Seq. 5, Confutatis maledictis is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in D Minor, K. 626: III. Seq. 5, Confutatis maledictis by Wolfgang Amadeus Mozart, Peter Neumann, Collegium Cartusianum Köln to be Larghetto (rather broadly) because the track has a tempo of 63 テンポ, a half-time of 32テンポ, and a double-time of 126 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Der Stein der Weisen, Act I: Dialogue (6) | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Alan Ewing, Kevin Deas, Jane Giering-De Haan | E♭ Major | 2 | 5B | 77 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato | Edvard Grieg, Denis Kozhukhin, Rundfunk-Sinfonieorchester Berlin, Vassily Sinaisky | A Minor | 0 | 8A | 114 BPM | ||
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | ||
Mazurka No. 23 in D Major, Op. 33, No. 2 | Frédéric Chopin, Idil Biret | A Major | 1 | 11B | 96 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
CPE Bach: Solfegietto in C Minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Georges Pludermacher | F Minor | 1 | 4A | 143 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM |