London Symphony Orchestra's 'The Final Countdown' came out on August 4, 1997. With this song being about 5 minutes long, at 5:25, "The Final Countdown" by London Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "The Best Of Classic Rock". In this album, this song's track order is #16. In terms of popularity, The Final Countdown is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Final Countdown by London Symphony Orchestra having a テンポ of 114 with a half-time of 57 テンポ and a double-time of 228 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in C Minor "Resurrection": V. Finale. In Tempo des Scherzos | Gustav Mahler, Bradley Cooper, Rosa Feola, Isabel Leonard, London Symphony Chorus, London Symphony Orchestra, Yannick Nézet-Séguin | E♭ Major | 4 | 5B | 136 BPM | ||
Rigoletto, Act IV: La donna e mobile (arr. for orchestra) | Anonymous , Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov | B♭ Major | 1 | 6B | 155 BPM | ||
"Prepare for Take Off" (Amazing Grace) | George Fenton | C Major | 2 | 8B | 101 BPM | ||
A Lord Of The Rings Suite | Howard Shore, James Galway, London Symphony Orchestra, Klauspeter Seibel | D Major | 1 | 10B | 76 BPM | ||
Mission Imposible | The Magic Sound Machine | G Major | 6 | 9B | 95 BPM | ||
Fantasia Veneziana (in la maggiore) | Gian Piero Reverberi, L. Giordano, Rondò Veneziano | E Major | 4 | 12B | 131 BPM | ||
Human | London Symphony Orchestra | B♭ Minor | 4 | 3A | 75 BPM | ||
Lummerland | Ralf Wengenmayr, Deutsches Filmorchester Babelsberg | F Major | 2 | 7B | 81 BPM | ||
Finale | John Williams, London Symphony Orchestra | C Major | 3 | 8B | 105 BPM | ||
Rossini: Il Barbiere di Siviglia: Overture | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | E Major | 2 | 12B | 88 BPM |