"Konig der letzten Tage (King of the Last Days): Sanctus" by Wojciech Kilar, Jacek Mentel, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit was released on January 1, 2003. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wojciech Kilar's "Kilar: Bram Stoker's Dracula / Death and the Maiden" album is number 8 out of 18. In terms of popularity, Konig der letzten Tage (King of the Last Days): Sanctus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Konig der letzten Tage (King of the Last Days): Sanctus by Wojciech Kilar, Jacek Mentel, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit to be Andante (at a walking pace) because the track has a tempo of 101 テンポ, a half-time of 50テンポ, and a double-time of 202 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Vampyr (The Vampire): Overture | Heinrich Marschner, Markus Marquardt, Regina Klepper, Jonas Kaufmann, Franz Hawlata, Yoo-Chang Nah, Anke Hoffmann, Thomas Dewald, Heinz Heidbüchel, Kay Immer, Franz Gerihsen, Josef Otten, Marietta Schwittay-Niedzwicki, Dirk Schortemeier, Cologne WDR Radio Chorus, WDR Sinfonieorchester Köln, Helmut Froschauer | A Major | 2 | 11B | 111 BPM | ||
Wayward Sisters | Abel Korzeniowski | F♯ Minor | 4 | 11A | 98 BPM | ||
The Landing | Justin Hurwitz | G Minor | 3 | 6A | 80 BPM | ||
The Dream | Jocelyn Pook | F Minor | 2 | 4A | 84 BPM | ||
Old Times - Instrumental | Alejandro Amenábar | C Minor | 0 | 5A | 50 BPM | ||
Kilar: The Ninth Gate: Vocalise | Wojciech Kilar, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | A Minor | 2 | 8A | 175 BPM | ||
Giuseppe w Warszawie III | Wielka Orkiestra Symfoniczna Polskiego Radia, Stefan Marczyk, Wojciech Kilar | A Minor | 6 | 8A | 86 BPM | ||
Nixon's Walk - Instrumental | Michael Kamen, London Metropolitan Orchestra | A♭ Major | 1 | 4B | 117 BPM | ||
String Quartet in C-sharp minor, Op. 131 - Instrumental | Ludwig van Beethoven, The Con Tempo | A♭ Minor | 2 | 1A | 81 BPM | ||
Drag Me to Hell | Christopher Young | A♭ Major | 5 | 4B | 130 BPM |