"Métamorphoses, FP 121: No. 2, C'est ainsi que tu es (Live)" by Francis Poulenc, Leontyne Price, Samuel Barber was released on June 1, 2004. The duration of Métamorphoses, FP 121: No. 2, C'est ainsi que tu es (Live) is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Métamorphoses, FP 121: No. 2, C'est ainsi que tu es (Live)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 37 in the song's album "Poulenc, Barber & Others: Vocal Works (Historic Performances)". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United States. Métamorphoses, FP 121: No. 2, C'est ainsi que tu es (Live) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Métamorphoses, FP 121: No. 2, C'est ainsi que tu es (Live) by Francis Poulenc, Leontyne Price, Samuel Barber having a テンポ of 65 with a half-time of 32 テンポ and a double-time of 130 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
Années de pèlerinage: 1e année: Suisse, S.160: 2. Au lac de Wallenstadt | Franz Liszt, Nelson Freire | A♭ Major | 0 | 4B | 65 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Montparnasse, FP 127 No. 1 | Francis Poulenc, Felicity Lott, Pascal Rogé | D♭ Major | 1 | 3B | 66 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: III. Allegro scherzando | Sergei Rachmaninoff, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 2 | 4A | 121 BPM | ||
Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo - Adagio | Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi | D♭ Major | 0 | 3B | 69 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM |