"Bachianas Brasileiras No. 7: Tocata (Desafío): Andantino quasi allegretto" by Michael Tilson Thomas was released on September 30, 1996. Since Bachianas Brasileiras No. 7: Tocata (Desafío): Andantino quasi allegretto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Villa Lobos/Alma Brasileira by Michael Tilson Thomas. The song's track number on the album is #9 out of 13 tracks. In terms of popularity, Bachianas Brasileiras No. 7: Tocata (Desafío): Andantino quasi allegretto is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bachianas Brasileiras No. 7: Tocata (Desafío): Andantino quasi allegretto by Michael Tilson Thomas has a tempo of 113 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Bachianas Brasileiras No. 7: Tocata (Desafío): Andantino quasi allegretto being at 113 テンポ, the half-time would be 56 テンポ with a double-time of 226 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Copland: Symphony No. 3: IV. Molto deliberato (Fanfare) - Allegro risoluto | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | D Major | 2 | 10B | 71 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Carmina Burana: In taberna quando sumus | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | D♭ Minor | 1 | 12A | 143 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Fight | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 4 | 8B | 108 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | F Major | 2 | 7B | 72 BPM | ||
Concerto for Oboe and Small Orchestra in D Major, Op. 144: II. Andante | Richard Strauss, François Leleux, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 1 | 6B | 79 BPM | ||
Carmina Burana: Floret Silva | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | G Major | 0 | 9B | 115 BPM | ||
Appalachian Spring: VIII. Coda. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 106 BPM | ||
Berg: Violin Concerto: Andante-Allegretto | Alban Berg, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 89 BPM | ||
14 Songs, Op. 34: No. 14, Vocalise (Arr. A. Harris for Violin & Orchestra) | Sergei Rachmaninoff, Isaac Stern, Frank Brieff, Columbia Symphony Orchestra | E Minor | 2 | 9A | 88 BPM |