Alessandro Scarlatti, Nancy Argenta, The English Concert, Trevor Pinnock, Peter Hanson, Walter Reiter, Trevor Jones, Jane Coe, Peter McCarthy's 'O di Betlemme altera: 4. Recitativo: Presa d'uomo la forma - 5. Aria: L'autor d'ogni mio bene' came out on January 1, 1993. With this song being about 5 minutes long, at 5:03, "O di Betlemme altera: 4. Recitativo: Presa d'uomo la forma - 5. Aria: L'autor d'ogni mio bene" by Alessandro Scarlatti, Nancy Argenta, The English Concert, Trevor Pinnock, Peter Hanson, Walter Reiter, Trevor Jones, Jane Coe, Peter McCarthy is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 22 in the song's album "Trevor Pinnock / Gloria". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. The popularity of O di Betlemme altera: 4. Recitativo: Presa d'uomo la forma - 5. Aria: L'autor d'ogni mio bene is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With O di Betlemme altera: 4. Recitativo: Presa d'uomo la forma - 5. Aria: L'autor d'ogni mio bene by Alessandro Scarlatti, Nancy Argenta, The English Concert, Trevor Pinnock, Peter Hanson, Walter Reiter, Trevor Jones, Jane Coe, Peter McCarthy having a テンポ of 172 with a half-time of 86 テンポ and a double-time of 344 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La sposa dei cantici, Pt. 1: 3b. "Qui fra tanto ai fiori in seno" | Alessandro Scarlatti, Ars Lyrica Houston, John Holiday, Matthew Dirst | A Major | 1 | 11B | 145 BPM | ||
Sei Concerti in sette parti: No. 3 in F Major: III. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | E Major | 4 | 12B | 136 BPM | ||
Concerto Grosso in C Minor, Op. 2, No. 2: III. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 57 BPM | ||
Trio Sonata in A Minor, BuxWV 272 | Dietrich Buxtehude, Ensemble Masques, Sophie Gent, Mélissande Corriveau, Olivier Fortin | A Minor | 2 | 8A | 171 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 86 BPM | ||
Spanish Folies in D Minor | Francois Loeb, Alessandro Scarlatti | D Minor | 1 | 7A | 108 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: III. Allegro | Johann Friedrich Fasch, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | A♭ Major | 2 | 4B | 127 BPM | ||
Sinfonia Nо. 1 in re maggiore (Il martirio di San Tenrenziano): V. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | F Major | 5 | 7B | 107 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Sonata a 4 in D Major, WoO 4: V. Allegro | Arcangelo Corelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A Major | 3 | 11B | 123 BPM |