Mario del Monaco's 'Granada' had a release date set for February 24, 1951. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Mario del Monaco's "L'incredibile Mario del Monaco" album is number 19 out of 41. On top of that, Germany appears to be the country where this track was created. Granada is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Granada by Mario del Monaco to be Andante (at a walking pace) because the track has a tempo of 84 テンポ, a half-time of 42テンポ, and a double-time of 168 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Casanova: Nuns' Chorus | Johann Strauss II, Dame Joan Sutherland, Ambrosian Light Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | F♯ Major | 2 | 2B | 88 BPM | ||
Catalani: La Wally, Act 1: "Ebben? Andrò sola e lontana" (Wally) | Alfredo Catalani, Lamberto Gardelli, Munich Radio Orchestra | E Major | 1 | 12B | 168 BPM | ||
Mon coeur s'ouvre à ta voix | Camille Saint-Saëns, Christa Ludwig, Giuseppe Patanè | C Major | 1 | 8B | 77 BPM | ||
Les soirées musicales: La danza (Già la luna è in mezzo al mare) | Gioachino Rossini, Carlo Pepoli, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | F Major | 4 | 7B | 69 BPM | ||
Contes d'Hoffmann: Les oiseaux dans la charnille | Jacques Offenbach, Olga Peretyatko, Miguel Gomez-Martinez | B♭ Major | 2 | 6B | 96 BPM | ||
La Juive / Act 4: "Rachel, quand du Seigneur la grâce tutélaire" | Fromental Halévy, Mario del Monaco, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | D♭ Major | 3 | 3B | 90 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Addio a Napoli | Cottrau, Mario del Monaco | B♭ Major | 5 | 6B | 90 BPM | ||
Così fan tutte, K. 588, Act I Scene 12: Un'aura amorosa | Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi | E♭ Major | 2 | 5B | 106 BPM | ||
Tu ca nun chiagne | Mario del Monaco | E Major | 3 | 12B | 83 BPM |