Johann Christian Bach, Janos Balint, Bela Banfalvi, Zsofia Jardanyi, Karoly Botvay, Budapest Strings's 'Sinfonia concertante in E Major, W. C44: I. Allegro' came out on January 1, 2009. Sinfonia concertante in E Major, W. C44: I. Allegro is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. The song is number 10 out of 44 in Bach, J.C.: Symphonie Concertanti by Johann Christian Bach, Budapest Strings. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Sinfonia concertante in E Major, W. C44: I. Allegro's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sinfonia concertante in E Major, W. C44: I. Allegro by Johann Christian Bach, Janos Balint, Bela Banfalvi, Zsofia Jardanyi, Karoly Botvay, Budapest Strings is Allegro (fast, quick, and bright), since this song has a tempo of 131 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia concertante in E-Flat Major, W. C37: II. Allegro | Johann Christian Bach, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | B♭ Minor | 0 | 3A | 69 BPM | ||
Concerti grossi, Op. 6, Concerto Grosso No. 3 in E Minor, HWV 321: IV. Polonaise | George Frideric Handel, Academy of Ancient Music, Andrew Manze | F♯ Major | 1 | 2B | 98 BPM | ||
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 9: III. Corrente: Vivace | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | F Major | 2 | 7B | 198 BPM | ||
Amadis de Gaule, W. G39: Act I Scene II: Aria: Eurer Liebe musst Ihr entsagen! (Arcalaus) | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | D Major | 2 | 10B | 136 BPM | ||
Clarinet Concerto No. 5 in B-Flat Major: II. Adagio | Carl Stamitz, Paul Meyer, Kurpfälzisches Kammerorchester, Johannes Schlaefli | B♭ Major | 0 | 6B | 132 BPM | ||
Amadis de Gaule, W. G39: Act I Scene I: Warum, Amor, qualst du mich? (Arcabonne) | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | G Minor | 1 | 6A | 102 BPM | ||
Oboe Concerto No. 1 in D Minor: I. Allegro | Ludwig August Lebrun, Bart Schneemann, Radio Chamber Orchestra, Jan Willem de Vriend | D Minor | 1 | 7A | 134 BPM | ||
Quartet in D Major, Op. 19 No. 2, W. B62: II. Andante | Johann Christian Bach, Camerata Köln | F Minor | 1 | 4A | 130 BPM | ||
Piano Concerto in A Major: III. Allegro assai | Marianna Martines, Melani Mestre, Orquesta Filarmonía Ibérica | A Major | 1 | 11B | 89 BPM |