Gioachino Rossini, Cecilia Bartoli, Michele Pertusi, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly made "Il Turco in Italia / Act 1: "Che bel Turco! avviciniamoci"" available on January 1, 1998. With Il Turco in Italia / Act 1: "Che bel Turco! avviciniamoci" being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 65 in the song's album "Rossini: Il Turco In Italia". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Il Turco in Italia / Act 1: "Che bel Turco! avviciniamoci" is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Il Turco in Italia / Act 1: "Che bel Turco! avviciniamoci" by Gioachino Rossini, Cecilia Bartoli, Michele Pertusi, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly having a テンポ of 73 with a half-time of 36 テンポ and a double-time of 146 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Linda di Chamounix, A. 62, Act I Scene 3: Qui sì, pria della partenza | Gaetano Donizetti, Jessica Pratt, Teresa Iervolino, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Elgar: 5 Pomp and Circumstance Marches, Op. 39: No. 1 in D Major | Edward Elgar, Yehudi Menuhin, Royal Philharmonic Orchestra | C Minor | 1 | 5A | 98 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Offenbach: Orphée aux enfers, Act 2 Tableau 4: "Ce bal est original" (Pluton, Jupiter, Vénus, Eurydice, Chorus) | Jacques Offenbach, Marc Minkowski, Orchestre De L'Opéra National De Lyon | B♭ Major | 3 | 6B | 129 BPM | ||
Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 0 | 4B | 75 BPM | ||
Lohengrin: Act III Scene 1: Treulich gefuhrt, ziehet dahin (Wedding March) (Chorus) | Richard Wagner, Kwangchul Youn, Johan Botha, Adrianne Pieczonka, Falk Struckmann, Petra Lang, Eike Wilm-Schulte, Prague Chamber Chorus, North German Radio Chorus, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Semyon Bychkov | B♭ Major | 0 | 6B | 99 BPM | ||
Gounod: Faust, CG 4, Act 2 Scene 5: Waltz | Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 2 | 10B | 92 BPM | ||
Symphony No. 5 in C Minor, Op. 67: IV. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | C Major | 3 | 8B | 83 BPM | ||
Madama Butterfly / Act 2: "Un bel dì vedremo" | Giacomo Puccini, Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli | D♭ Major | 1 | 3B | 173 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM |