George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra's 'All We Like Sheep Have Gone Astray - Live' had a release date set for January 1, 1987. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Andrew Davis's "Handel: Messiah" album is number 3 out of 54. On top of that, United States appears to be the country where this track was created. In terms of popularity, All We Like Sheep Have Gone Astray - Live is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of All We Like Sheep Have Gone Astray - Live by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 113 テンポ, a half-time of 56テンポ, and a double-time of 226 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem: V. Agnus Dei (Duke Dobing, flute) | John Rutter, Choir of King's College, Cambridge, Stephen Cleobury, City of London Sinfonia, Sinfonia Of London | F Major | 0 | 7B | 96 BPM | ||
Parry: Psalm LXXXIV: O how Amiable Are Thy Dwellings | Hubert Parry, Choir of King's College, Cambridge, Sir David Willcocks | E Major | 1 | 12B | 106 BPM | ||
In dulci jubilo (Arr. Robert de Pearsall) | Traditional, Choir of King's College, Cambridge, Stephen Cleobury | F Major | 1 | 7B | 89 BPM | ||
Rachmaninov: Vespers (All-Night Vigil), Op.37: "Nyne otpushchayeshi" | Sergei Rachmaninoff, Voces8 | B♭ Minor | 1 | 3A | 74 BPM | ||
Hallelujah Chorus From "The Messiah" | Boston Pops Orchestra, Keith Lockhart | D Major | 3 | 10B | 113 BPM | ||
Motets for 5-8 Voices: Book 5 for 5 Voices: Exsultate Deo | Giovanni Pierluigi da Palestrina, The Cambridge Singers | A Major | 2 | 11B | 68 BPM | ||
Away in a Manger (arr. D. Willcocks for choir): Away In a Manger (arr. D. Willcocks for choir) | Sir David Willcocks, William J. Kirkpatrick, Ann Hoyt, Trinity Church Choir, New York | F Major | 0 | 7B | 177 BPM | ||
Stella natalis: Lullay | Karl Jenkins, Polyphony, Stephen Layton | A Major | 1 | 11B | 133 BPM | ||
The King shall rejoice: Exceeding glad shall he be | George Frideric Handel, Choir of King's College, Cambridge, Cambridge, Academy of Ancient Music, Pavlo Beznosiuk, Alastair Ross, Benjamin Bayl, Stephen Cleobury | A♭ Major | 1 | 4B | 124 BPM | ||
A Ceremony of Carols, Op. 28: III. There Is No Rose | Benjamin Britten, The Choir Of Trinity College, Cambridge | B♭ Major | 0 | 6B | 97 BPM |