"La Bayadere, Act II: 30. "Adagio - Gamzatti and Solor"" by Evergreen Symphony Orchestra, Kevin Galiè was released on February 26, 2018. The duration of La Bayadere, Act II: 30. "Adagio - Gamzatti and Solor" is about 3 minutes long, at 3:21. Based on our data, "La Bayadere, Act II: 30. "Adagio - Gamzatti and Solor"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Evergreen Symphony Orchestra, Kevin Galiè's "La Bayadère" album is number 2 out of 53. Based on our statistics, La Bayadere, Act II: 30. "Adagio - Gamzatti and Solor"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Bayadere, Act II: 30. "Adagio - Gamzatti and Solor" by Evergreen Symphony Orchestra, Kevin Galiè to be Allegro (fast, quick, and bright) because the track has a tempo of 139 テンポ, a half-time of 70テンポ, and a double-time of 278 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Shylock - Final: Allegretto vivo | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | B♭ Major | 1 | 6B | 145 BPM | ||
Die Puppenfee (The Fairy Doll): No. 18 Marsch | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 3 | 10B | 127 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): I. Marche des contrebandiers | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 99 BPM | ||
Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 14, Juliet's Variation | Sergei Prokofiev, André Previn, London Symphony Orchestra | F Major | 0 | 7B | 68 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Introduction | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D♭ Major | 0 | 3B | 99 BPM | ||
La Bayadere, Act III: 43. "Entrance - Corps De Ballet, Nikiya, Solo | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 1 | 10B | 80 BPM | ||
Giselle: Peasant pas de deux (arr. March): Act I: Allegretto: Adagio | Franz Burgmüller, March, Sofia National Opera Orchestra, Boris Spassov | D Major | 1 | 10B | 133 BPM | ||
Le Corsaire: Act II - "4. Grand Pas: Variation: Ali" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | A♭ Major | 1 | 4B | 121 BPM | ||
The Carnival of the Animals, R.125: XIV. Finale | Camille Saint-Saëns, Cologne New Philharmonic, Nataša Majer, Ana Pišpek, Volker Hartung | C Major | 4 | 8B | 101 BPM | ||
Sinfonia in E-Flat Major, "con Eco": IV. Presto ma non tanto | Theodor, Freiherr von Schacht, Evergreen Symphony Orchestra, Gernot Schmalfuss | B Minor | 2 | 10A | 113 BPM |