Johann Adolf Hasse, Axel Köhler, Martina Borst, Michael Volle, Cappella Sagittariana Dresden, Frieder Bernius's 'Attilio Regolo, Act II: All'ingresso del Tempio ove il Senato or si raccoglie - Amato padre, pure una volta...' came out on March 2, 2018. The duration of Attilio Regolo, Act II: All'ingresso del Tempio ove il Senato or si raccoglie - Amato padre, pure una volta... is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Attilio Regolo, Act II: All'ingresso del Tempio ove il Senato or si raccoglie - Amato padre, pure una volta...'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Adolf Hasse, Cappella Sagittariana Dresden, Frieder Bernius's "Hasse: Attilio Regolo" album is number 5 out of 46. On top of that, Germany appears to be the country where this track was created. The popularity of Attilio Regolo, Act II: All'ingresso del Tempio ove il Senato or si raccoglie - Amato padre, pure una volta... is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Attilio Regolo, Act II: All'ingresso del Tempio ove il Senato or si raccoglie - Amato padre, pure una volta... by Johann Adolf Hasse, Axel Köhler, Martina Borst, Michael Volle, Cappella Sagittariana Dresden, Frieder Bernius to be Vivace (lively and fast) because the track has a tempo of 172 テンポ, a half-time of 86テンポ, and a double-time of 344 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Bach, JS: Vergnügte Ruh, beliebte Seelenlust, BWV 170: No. 1, Aria. "Vergnügte Ruh beliebte Seelenlust" | Johann Sebastian Bach, Monica Groop, Juha Kangas, Ostrobothnian Chamber Orchestra | D Major | 1 | 10B | 75 BPM | ||
Requiem in C Major / Sequentia: Vc. Mors stupebit | Johann Adolf Hasse, Wiebke Lehmkuhl, Colin Balzer, Cornelius Uhle, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | B Minor | 4 | 10A | 80 BPM | ||
Neubrandenburg Concerto No. 1: II. Aria (Transcr. By Harer, after Bach's Aria variata alla maniera italiana BWV 989) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F♯ Minor | 0 | 11A | 89 BPM | ||
Miserere in C Minor (Version for Mixed Choir): III. Ecce enim iniquitatibus | Johann Adolf Hasse, Accademia Barocca Lucernensis, Gunhild Alsvik, Remy Burnens, Javier Ulises Illán | D Major | 3 | 10B | 124 BPM | ||
Fago: Confitebor tibi Domine: II. "Memoriam fecit - Escam dedit" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | A♭ Minor | 1 | 1A | 166 BPM | ||
Kuhnau: Magnificat in C Major: I. Chorus. "Magnificat" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
Provenzale: Lo schiavo di sua moglie: "Non posso far" (Lucillo) | Francesco Provenzale, Lea Desandre, jupiter_BRKN, Thomas Dunford | D♭ Major | 3 | 3B | 136 BPM | ||
Miserere in D Minor: III. Ecce enim | Johann Adolf Hasse, Simona Houda-Saturová, Britta Schwarz, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | A Major | 2 | 11B | 91 BPM | ||
Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: VI. Jerusalem | François Couperin, William Christie, Patricia Petibon, Sophie Daneman, Les Arts Florissants | C Minor | 0 | 5A | 76 BPM |