"2 Pieces for Strings, C. 50j (From "Henry V"): No. 1, Death of Falstaff" by William Walton, Malmö Opera Orchestra, Joseph Swensen was released on July 14, 2023. The duration of 2 Pieces for Strings, C. 50j (From "Henry V"): No. 1, Death of Falstaff is about 3 minutes long, at 3:08. Based on our data, "2 Pieces for Strings, C. 50j (From "Henry V"): No. 1, Death of Falstaff" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Walton & Barber: Violin Concertos & Works for Strings by Thomas Bowes, Malmö Opera Orchestra, Joseph Swensen. The song's track number on the album is #4 out of 9 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, 2 Pieces for Strings, C. 50j (From "Henry V"): No. 1, Death of Falstaff's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 2 Pieces for Strings, C. 50j (From "Henry V"): No. 1, Death of Falstaff by William Walton, Malmö Opera Orchestra, Joseph Swensen has a tempo of 144 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With 2 Pieces for Strings, C. 50j (From "Henry V"): No. 1, Death of Falstaff being at 144 テンポ, the half-time would be 72 テンポ with a double-time of 288 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
The music key of this track is E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 12 in F-Sharp Minor, Op. 30, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song) | Felix Mendelssohn, Péter Nagy | A Major | 0 | 11B | 85 BPM | ||
Madama Butterfly / Act 2: Humming Chorus | Giacomo Puccini, BBC Concert Orchestra, Barry Wordsworth | B♭ Major | 0 | 6B | 71 BPM | ||
Prélude, op. 28/15, Des-Dur: Sostenuto | Peter Schmalfuss | D♭ Major | 0 | 3B | 174 BPM | ||
Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | D♭ Major | 1 | 3B | 82 BPM | ||
6 Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jorge Bolet | D♭ Major | 0 | 3B | 84 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Maestoso | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | C Major | 1 | 8B | 49 BPM | ||
Coronation Te Deum | William Walton, Martin Neary, The Choir Of Westminster Abbey, London Brass, English Chamber Orchestra, Martin Baker | A Major | 1 | 11B | 81 BPM | ||
The Sea: I. Seascape | Frank Bridge, Ulster Orchestra, Vernon Handley | F♯ Minor | 1 | 11A | 86 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Viola Concerto (1962 Version): I. Andante comodo | William Walton, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | D Minor | 1 | 7A | 92 BPM |