"Concierto: Tres gráficos para guitarra y orquesta: 2. Improvisación sobre un gráfico de la siguiriya" by Mauricio Ohana, Narciso Yepes, London Symphony Orchestra, Rafael Frühbeck de Burgos was released on February 5, 2016. Since Concierto: Tres gráficos para guitarra y orquesta: 2. Improvisación sobre un gráfico de la siguiriya is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 53 in the song's album "The Complete Concerto Recordings". In this album, this song's track order is #25. Concierto: Tres gráficos para guitarra y orquesta: 2. Improvisación sobre un gráfico de la siguiriya is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Concierto: Tres gráficos para guitarra y orquesta: 2. Improvisación sobre un gráfico de la siguiriya by Mauricio Ohana, Narciso Yepes, London Symphony Orchestra, Rafael Frühbeck de Burgos having a テンポ of 74 with a half-time of 37 テンポ and a double-time of 148 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hommage à Mistral: III. Farandola | Matilde Salvador, Laurine Phélut | E Minor | 0 | 9A | 104 BPM | ||
De Visée / Transcr. Garcia: Pèces de théorbe et de luth, Suite en la mineur: I. Prélude | Robert de Visée, Thibaut García | A Minor | 0 | 8A | 85 BPM | ||
36 Caprices, Op. 20: XV. Presto | Luigi Legnani, Pavel Steidl | B Minor | 2 | 10A | 100 BPM | ||
Asaggio - Arranged for Guitar by P.O. Johnson: Bourrée | Johan Helmich Roman, Göran Söllscher | B♭ Major | 2 | 6B | 93 BPM | ||
Stella australis | Maximo Diego Pujol, Ricardo Cobo | E Major | 1 | 12B | 137 BPM | ||
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 3 in A Minor | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | A Minor | 0 | 8A | 96 BPM | ||
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 5 in B Minor | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | A Minor | 0 | 8A | 97 BPM | ||
Etude No. 3 | Heitor Villa-Lobos, Marco Antonio Anguiano | E Minor | 1 | 9A | 77 BPM | ||
Albumsblade: VIII. Idyl | Frederik Rung, Alberto La Rocca | E Major | 0 | 12B | 92 BPM | ||
What If A Day | John Dowland, Christoph Denoth | G Major | 1 | 9B | 82 BPM |