"Male requiem dla pewnej polki (Little Requiem for a Certain Polka), Op. 66: I. Tranquillo" by Henryk Górecki, Anna Gorecka, Warsaw Philharmonic Orchestra, Antoni Wit was released on May 1, 2012. Male requiem dla pewnej polki (Little Requiem for a Certain Polka), Op. 66: I. Tranquillo appears to be safe for all ages as it is not explicit. The track order of this song in Henryk Górecki, Various Artists, Antoni Wit's "Górecki: Little Requiem for a Certain Polka - Concerto-Cantata - Harpsichord Concerto - 3 Dances" album is number 1 out of 13. In terms of popularity, Male requiem dla pewnej polki (Little Requiem for a Certain Polka), Op. 66: I. Tranquillo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Male requiem dla pewnej polki (Little Requiem for a Certain Polka), Op. 66: I. Tranquillo by Henryk Górecki, Anna Gorecka, Warsaw Philharmonic Orchestra, Antoni Wit to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Joke | Lele Marchitelli | A Minor | 0 | 8A | 83 BPM | ||
Musical Toys: 6. Song of the fisherman | Sofia Gubaidulina, Claire-Marie Le Guay | G Minor | 0 | 6A | 66 BPM | ||
From the Invisible to the Visible | Shara Worden, Nadia Sirota, James McVinnie, Daníel Bjarnason, Frank Aarnink, Valgeir Sigurðsson, Paul Evans, Missy Mazzoli, Paul Corley | C Minor | 1 | 5A | 73 BPM | ||
Six Breaths: II Breath, Out of Breath | Ezio Bosso, The London Cellos Ensemble | G Major | 2 | 9B | 103 BPM | ||
Mechanical Dolls | Ezio Bosso, Turin String Quartet | E♭ Major | 1 | 5B | 107 BPM | ||
Love In The Afternoon | Balanescu Quartet | F Major | 2 | 7B | 173 BPM | ||
Lasske tance (Lachian Dances), JW VI/17: No. 5. Celadensky (From Celadra) | Leoš Janáček, Warsaw Philharmonic Orchestra, Antoni Wit | E♭ Major | 2 | 5B | 140 BPM | ||
Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | C Minor | 0 | 5A | 93 BPM | ||
Time Drinks Three Shots (From "You Us We All") | Shara Worden | D Minor | 3 | 7A | 68 BPM | ||
Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM |