Michael Praetorius, Hermann Bäumer, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof made "Terpsichore (arr. H. Baumer): Courante" available on October 13, 1998. The duration of Terpsichore (arr. H. Baumer): Courante is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Terpsichore (arr. H. Baumer): Courante's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Praetorius: Dances From Terpsichore". In this album, this song's track order is #20. In terms of popularity, Terpsichore (arr. H. Baumer): Courante is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Terpsichore (arr. H. Baumer): Courante by Michael Praetorius, Hermann Bäumer, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof having a テンポ of 111 with a half-time of 56 テンポ and a double-time of 222 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ce fut en mai | Moniot d'Arras, Folger Consort | F Major | 1 | 7B | 164 BPM | ||
Ayres for the Violin (arr. for guitar): Aria I | Nicola Matteis, Pierre Pitzl | B Minor | 2 | 10A | 86 BPM | ||
Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM | ||
Suite in C Minor from Ms. Lobkowicz: V. La volage Passacaille | Charles Mouton, Anders Ericson | B Minor | 1 | 10A | 103 BPM | ||
Saltarello, "La traditora" | Marco Dall'Aquila, Franklin Lei | A♭ Minor | 1 | 1A | 121 BPM | ||
Benjamin Britten: Gloriana:Courtly Dances - Galliard | Julian Bream | A Major | 0 | 11B | 113 BPM | ||
Luz y norte musical: Pabanas | Lucas Ruiz de Ribayaz, Piffaro | D♭ Major | 0 | 3B | 99 BPM | ||
Polyhymnia caduceatrix et panegyrica: Wachet auf, ruft uns die Stimme | Michael Praetorius, Stimmwerck, Arno Paduch, Arno Jochem de la Rosee, Ann Fahrni, Michael Eberth | C Major | 2 | 8B | 69 BPM | ||
Suite No. 1 in C Major: VI. Courrant de la volte | Michael Praetorius, The New York Renaissance Band, Sally Logemann | C Major | 1 | 8B | 96 BPM | ||
Ma maistresse | Johannes Ockeghem, Capilla Flamenca | F Major | 1 | 7B | 125 BPM |