Igor Stravinsky, Martha Argerich, Mischa Maisky made "Suite italienne from "Pulcinella" - for Violoncello and Piano: V. Minuetto e Finale - Live" available on January 1, 2005. With this song being about 5 minutes long, at 4:36, "Suite italienne from "Pulcinella" - for Violoncello and Piano: V. Minuetto e Finale - Live" by Igor Stravinsky, Martha Argerich, Mischa Maisky is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Martha Argerich, Mischa Maisky's "Mischa Maisky / Martha Argerich - In Concert" album is number 6 out of 18. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Suite italienne from "Pulcinella" - for Violoncello and Piano: V. Minuetto e Finale - Live's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Suite italienne from "Pulcinella" - for Violoncello and Piano: V. Minuetto e Finale - Live by Igor Stravinsky, Martha Argerich, Mischa Maisky to be Allegro (fast, quick, and bright) because the track has a tempo of 134 テンポ, a half-time of 67テンポ, and a double-time of 268 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Bagatelles, Op. 97: No. 3: Kleiner Walzer | Jean Sibelius, Håvard Gimse | E Major | 1 | 12B | 83 BPM | ||
Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
Pictures At An Exhibition: The Market-place At Limoges | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Major | 3 | 5B | 106 BPM | ||
Symphony No. 1 in E Minor, Op. 39: II. Andante (ma non troppo lento) | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | F♯ Minor | 1 | 11A | 66 BPM | ||
Symphony No. 1 in G Minor, Op. 13, TH 24, "Winter Daydreams": I. Allegro tranquillo, "Dreams of a Winter Journey" | Pyotr Ilyich Tchaikovsky, Mariss Jansons, Oslo Philharmonic Orchestra | F Major | 2 | 7B | 112 BPM | ||
Turangalîla Symphonie: 3. Turangalîla I | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | D Major | 2 | 10B | 176 BPM | ||
Concerto pour piano | Germaine Tailleferre, The California Parallele Ensemble, UC Santa Cruz Orchestra, Nicole Paiement | D Major | 2 | 10B | 105 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 13. Romanza *** (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | A♭ Major | 0 | 4B | 87 BPM | ||
Symphony No. 4: II. In gemächlicher Bewegung. Ohne Hast | Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin | C Major | 0 | 8B | 135 BPM | ||
Piano Concerto No.1 for piano, trumpet & strings, Op.35: 1. Allegretto | Dmitri Shostakovich, Ronald Brautigam, Peter Masseurs, Concertgebouworkest, Riccardo Chailly | A♭ Major | 2 | 4B | 144 BPM |