"The Story Of A Flemish Farm Suite: Night By The Sea - Farewell To The Flag" by RTE Concert Orchestra, Ralph Vaughan Williams had its release date on May 15, 1995. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. The Story Of A Flemish Farm Suite: Night By The Sea - Farewell To The Flag's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vaughan Williams: 49th Parallel / Story Of A Flemish Farm by RTE Concert Orchestra. The song's track number on the album is #3 out of 19 tracks. In terms of popularity, The Story Of A Flemish Farm Suite: Night By The Sea - Farewell To The Flag is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Story Of A Flemish Farm Suite: Night By The Sea - Farewell To The Flag by RTE Concert Orchestra, Ralph Vaughan Williams has a tempo of 107 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Story Of A Flemish Farm Suite: Night By The Sea - Farewell To The Flag being at 107 テンポ, the half-time would be 54 テンポ with a double-time of 214 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variation 2: I. The Beginning of the End | Matthew Slater, London Metropolitan Orchestra | A♭ Major | 1 | 4B | 131 BPM | ||
Symphony No. 3 in F Major, Op. 90: IV. Allegro - Un poco sostenuto (4) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Metropolis: II. Zwischenspiel: Freder im Wahn | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | F♯ Minor | 1 | 11A | 85 BPM | ||
Symphony No. 9 in D Major: III. Rondo Burleske: No. 2, L’istesso tempo (I) | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
Gil Blas: Theme. Allegro vivo | Jules Strens, Matty Cilissen, Royal Band of the Belgian Air Force | F Minor | 0 | 4A | 176 BPM | ||
Earth Wind and Fire | Aileen | D♭ Major | 1 | 3B | 105 BPM | ||
Metropolis: I. Auftakt: Buro Fredersen | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | D♭ Major | 1 | 3B | 92 BPM | ||
Caprice & Elegy, RT VII/8 (Version for Cello & Piano): No. 2, Elegy | Frederick Delius, Gerald Peregrine, Antony Ingham | D Major | 0 | 10B | 169 BPM | ||
6 Épigraphes antiques, L. 131: VI. Pour remercier la pluie au matin | Claude Debussy, Orchestre Victor Hugo, Jean-François Verdier | F♯ Major | 1 | 2B | 82 BPM | ||
Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: VI. Romeo and Juliet. The Balcony Scene | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 2 | 8B | 72 BPM |