Slovak Philharmonic, Bystrik Rezucha, Peter Toperczer made "Piano Concerto No.1 in B-Flat Minor, op. 23: III. Allegro con fuoco" available on 1991. Since Piano Concerto No.1 in B-Flat Minor, op. 23: III. Allegro con fuoco is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Slovak Philharmonic, Symphonic Festival Orchestra's "Music For The Millions Vol. 40 - Pjotr I. Tchaikovsky" album is number 3 out of 11. Based on our statistics, Piano Concerto No.1 in B-Flat Minor, op. 23: III. Allegro con fuoco's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Piano Concerto No.1 in B-Flat Minor, op. 23: III. Allegro con fuoco by Slovak Philharmonic, Bystrik Rezucha, Peter Toperczer to be Allegro (fast, quick, and bright) because the track has a tempo of 149 テンポ, a half-time of 74テンポ, and a double-time of 298 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | ||
6 Lieder ohne Worte, Op. 19: No. 6, Venezianisches Gondellied | Slovak Philharmonic, Bohdan Warchal | F♯ Minor | 1 | 11A | 64 BPM | ||
Prelude in C Sharp Minor, Op.3, No.2 (Arr. Orchestra) - Live | Sergei Rachmaninoff, Czech Philharmonic Orchestra, Leopold Stokowski | E♭ Major | 4 | 5B | 124 BPM | ||
Concerto For Strings In D Minor, RV 128: II. Largo | Sonatori de la Gioiosa Marca, Antonio Vivaldi | D Minor | 1 | 7A | 0 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 3 | 10B | 91 BPM | ||
Waltz in A flat major, Op.39 No. 15 | Johannes Brahms, Radio Symphony Orchestra | A Major | 1 | 11B | 89 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): IV. Chanson du toréador | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Major | 1 | 7B | 109 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Pictures At An Exhibition: The Old Castle | Modest Mussorgsky, Zdeněk Košler, Slovak Philharmonic | A♭ Major | 0 | 4B | 68 BPM |