Andrzej Rohaczewski, Stephen Taylor's 'Canzon (17th Century Chamber Organ)' came out on December 31, 2002. The duration of Canzon (17th Century Chamber Organ) is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Canzon (17th Century Chamber Organ)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 74 in Dictionary of Medieval & Renaissance Instruments by Various Artists. Canzon (17th Century Chamber Organ) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Canzon (17th Century Chamber Organ) by Andrzej Rohaczewski, Stephen Taylor is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Crucifixus a 5 | Antonio Lotti, Contrapunctus, Owen Rees | G Major | 1 | 9B | 139 BPM | ||
Miserere: VII. Redde mihi laetitiam ; Docebo iniquos vias tuas - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | B Minor | 0 | 10A | 86 BPM | ||
Consort Music: Fantasy Suite à 4 (Fantasy - Alman - Corant) | John Jenkins, Consort Of Musicke, Trevor Jones | F Minor | 1 | 4A | 117 BPM | ||
Armide, LWV 71, Act II Scene 4: Premier Air | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Major | 1 | 7B | 139 BPM | ||
Cantate Domino a 6, C. 6 | Giovanni Gabrieli, Gesualdo Consort Amsterdam, Wim Becu | B Major | 1 | 1B | 65 BPM | ||
A Gigg "Doctor Bull's Myself" | William Byrd, Matthias Janz | C Major | 1 | 8B | 121 BPM | ||
Sonata a tre in re maggiore: II. Adagio | Giovanni Battista Bassani, Musica Antiqua Latina | D♭ Major | 0 | 3B | 102 BPM | ||
Troisième livre de danseries: Suite d’Allemandes | Claude Gervaise, Into the Winds | G Major | 0 | 9B | 116 BPM | ||
Tenebrae Responsories - Matins Responsories for Holy Saturday: Nocturn II - Ecce quomodo moritur iustus | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 0 | 12A | 83 BPM | ||
Quis numerare queat: II. Audivit ipse | Loyset Compère, Owain Park, The Gesualdo Six | D Minor | 2 | 7A | 69 BPM |