"Jolivet: Suite en concert pour flûte et percussions: III. Hardiment" by André Jolivet, Jean-Pierre Rampal, Jean-Claude Casadesus, Jean-Pierre Drouet, Diego Masson, Jean-Charles François was released on January 1, 1967. The duration of Jolivet: Suite en concert pour flûte et percussions: III. Hardiment is about 3 minutes long, at 3:00. Based on our data, "Jolivet: Suite en concert pour flûte et percussions: III. Hardiment" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in André Jolivet, Jean-Pierre Rampal, Orchestre des Concerts Lamoureux's "Jolivet: Suite en concert, Incantations & Concerto pour flûte" album is number 3 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Jolivet: Suite en concert pour flûte et percussions: III. Hardiment is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Jolivet: Suite en concert pour flûte et percussions: III. Hardiment by André Jolivet, Jean-Pierre Rampal, Jean-Claude Casadesus, Jean-Pierre Drouet, Diego Masson, Jean-Charles François to be Adagio (slowly with great expression) because the track has a tempo of 73 テンポ, a half-time of 36テンポ, and a double-time of 146 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die still Stadt | Alma Mahler, Aitor Llimerá, Mario Mora | D Minor | 1 | 7A | 70 BPM | ||
String Quartet No. 1 in G Major, Op. 58: II. Strimpellata. Mosso e spensierato | Mario Castelnuovo-Tedesco, Quartetto Adorno | A Major | 2 | 11B | 160 BPM | ||
Timbres oubliés (Arr. for Clarinet and Harp by Graeme Steele Johnson and Bridget Kibbey) | Charles Martin Loeffler, Graeme Steele Johnson, Bridget Kibbey | D♭ Major | 0 | 3B | 68 BPM | ||
Symphony No. 3 in F Major, Op. 90: IV. Allegro - Un poco sostenuto (4) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Frauenliebe und Leben, Op. 42 (Arr. Reimann for Soprano and String Quartet): No. 1, Seit ich ihn gesehen | Robert Schumann, Claudia Barainsky, Delian Quartett | B♭ Major | 0 | 6B | 80 BPM | ||
String Quartet No. 1: I. — | Brian Field, ÉxQuartet | A Minor | 0 | 8A | 123 BPM | ||
Piano Concerto No. 1 "Scapegoat": Molto lento | George Lloyd, Martin Roscoe, BBC Philharmonic | A Minor | 1 | 8A | 85 BPM | ||
Violin Concerto in C Major: I. Allegro moderato: section 5 | Havergal Brian, Marat Bisengaliev, BBC Scottish Symphony Orchestra, Lionel Friend | E Major | 0 | 12B | 101 BPM | ||
String Quartet No. 1 in A Minor, Op. 41 No. 1: III. Adagio | Robert Schumann, Quatuor Hanson | E♭ Major | 4 | 5B | 109 BPM | ||
Concerto for Cello and Wind Orchestra: II. Romance | Jacques Ibert, Ernst Simon Glaser, Norwegian Navy Band Bergen, Peter Szilvay | A Minor | 0 | 8A | 82 BPM |