Nikolai Medtner, Vadim Repin, Boris Berezovsky made "Medtner: Violin Sonata No. 3 in E Minor, Op. 57 "Epica": II. Scherzo" available on August 22, 2006. Since Medtner: Violin Sonata No. 3 in E Minor, Op. 57 "Epica": II. Scherzo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 109 in the song's album "The Collected Recordings of Vadim Repin". In this album, this song's track order is #57. In terms of popularity, Medtner: Violin Sonata No. 3 in E Minor, Op. 57 "Epica": II. Scherzo is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Medtner: Violin Sonata No. 3 in E Minor, Op. 57 "Epica": II. Scherzo by Nikolai Medtner, Vadim Repin, Boris Berezovsky having a テンポ of 90 with a half-time of 45 テンポ and a double-time of 180 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 3 in C Minor, Op. 32: V. Moderato | Sergei Bortkiewicz, David Porcelijn, Stefan Doniga, Janacek Philharmonic Orchestra | C Major | 3 | 8B | 112 BPM | ||
Douze valses, Le ruban dénoué: No. 3, Souvenir… Avenir… | Reynaldo Hahn, Huseyin Sermet, Kun-Woo Paik | E Major | 1 | 12B | 108 BPM | ||
Balladen in D Minor, Op. 10: I. Andante | Johannes Brahms, Andre de Groote | B♭ Major | 1 | 6B | 86 BPM | ||
3 Morceaux poétiques, Op. 42: I. Romance | Moritz Moszkowski, Seta Tanyel | F Major | 0 | 7B | 75 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 33: I. Allegro | Nikolai Medtner, Neeme Järvi, London Philharmonic Orchestra, Geoffrey Tozer | G Major | 2 | 9B | 90 BPM | ||
Nocturne No. 8 in A Major, H. 46 | John Field, Michael Collins, Michael McHale | A Major | 0 | 11B | 74 BPM | ||
Kreisleriana, Op. 16: VII. Sehr rasch | Robert Schumann, Benjamin Grosvenor | E Major | 1 | 12B | 69 BPM | ||
Gray Prelude | Christian Schittenhelm, Svetlana Andreeva | F Minor | 1 | 4A | 68 BPM | ||
Suite No. 2 for 2 Pianos, Op. 17: III. Romance | Sergei Rachmaninoff, Daniil Trifonov, Sergei Babayan | D Minor | 3 | 7A | 92 BPM | ||
Sonata-Ballade for Piano in F-Sharp Major, Op. 27: I. Allegretto | Nikolai Medtner, Neeme Järvi, London Philharmonic Orchestra, Geoffrey Tozer | F♯ Major | 2 | 2B | 107 BPM |