"Gershwin / Arr. Rodney Bennett: Jasbo Brown Blues (From "Porgy and Bess")" by George Gershwin, Richard Rodney Bennett was released on April 5, 2010. The duration of Gershwin / Arr. Rodney Bennett: Jasbo Brown Blues (From "Porgy and Bess") is about 3 minutes long, at 3:02. Based on our data, "Gershwin / Arr. Rodney Bennett: Jasbo Brown Blues (From "Porgy and Bess")" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Gershwin, Richard Rodney Bennett's "Gershwin: Songs" album is number 9 out of 37. On top of that, United Kingdom appears to be the country where this track was created. Gershwin / Arr. Rodney Bennett: Jasbo Brown Blues (From "Porgy and Bess") is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Gershwin / Arr. Rodney Bennett: Jasbo Brown Blues (From "Porgy and Bess") by George Gershwin, Richard Rodney Bennett to be Larghetto (rather broadly) because the track has a tempo of 62 テンポ, a half-time of 31テンポ, and a double-time of 124 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Otto e mezzo | Orchestre de la Suisse Romande | G Major | 1 | 9B | 75 BPM | ||
Kleine Dreigroschenmusik: IV. Die Ballade vom angenehmen Leben | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | F♯ Minor | 0 | 11A | 198 BPM | ||
Sentimentale, Pt. 2 | Claude Bolling, Jean-Pierre Rampal, Max Hédiguer, Marcel Sabiani | F Minor | 3 | 4A | 85 BPM | ||
Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 134 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 77 BPM | ||
Scaramouche, Op. 165: III. Brazileira | Darius Milhaud, Ludmila Peterková, Irina Kondratenko | C Major | 2 | 8B | 175 BPM | ||
Piano Trio: II. Tempo di marcia | Leonard Bernstein, Charles Bernard, Opus Two | D Minor | 3 | 7A | 107 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM |