"Wie war das noch mit Dornröschen?" by Radoslaw Pallarz, Emily Körner, Soo Eun Lee was released on July 25, 2019. With Wie war das noch mit Dornröschen? being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 15 in Dornröschen by Radoslaw Pallarz, Emily Körner, Soo Eun Lee. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Wie war das noch mit Dornröschen? is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wie war das noch mit Dornröschen? by Radoslaw Pallarz, Emily Körner, Soo Eun Lee is Andante (at a walking pace), since this song has a tempo of 90 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Such A Day | Carrie Baynes | D Minor | 1 | 7A | 93 BPM | ||
Standing Stone | Ed Muirhead | E Minor | 0 | 9A | 80 BPM | ||
O Retorno | Natália Roschel, João Marcondes, Sonoras | A Minor | 1 | 8A | 176 BPM | ||
Eventide: I. Introduzione | Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John Wilson | F Major | 0 | 7B | 76 BPM | ||
7 Canciones Populares Españolas (Arr. R. Boyd & L. Metcalf for Cello & Guitar): No. 5, Nana | Manuel de Falla, Boyd Meets Girl | A Minor | 0 | 8A | 96 BPM | ||
Ave Maria for String Quartet | Leone Sinigaglia, Archos Quartet | A Major | 0 | 11B | 165 BPM | ||
Sonata No. 4 in F Major: III. Allegro | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | F Major | 4 | 7B | 73 BPM | ||
November den femtonde dagen | Bellman Concerto Ensemble, Tomas Blank In Harmony | G Major | 0 | 9B | 138 BPM | ||
Renaissance Concerto: IV. Jouissance | Lukas Foss, Amy Porter, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 147 BPM | ||
Nouvelles suites de pièces de clavecin, Suite in A Minor, RCT 5 (Arr. for Accordion by Janne Valkeajoki): III. Sarabande | Jean-Philippe Rameau, Janne Valkeajoki | F♯ Major | 0 | 2B | 67 BPM |