"Poems from Tang: No. 4, Song of Eight Unruly Tipsy Poets" by Zhou Long, Yo-Yo Ma & The Silk Road Ensemble, Miguel Harth-Bedoya, Chicago Symphony Orchestra was released on 2007. Since Poems from Tang: No. 4, Song of Eight Unruly Tipsy Poets is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "New Impossibilities (Remastered)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Poems from Tang: No. 4, Song of Eight Unruly Tipsy Poets's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Poems from Tang: No. 4, Song of Eight Unruly Tipsy Poets by Zhou Long, Yo-Yo Ma & The Silk Road Ensemble, Miguel Harth-Bedoya, Chicago Symphony Orchestra having a テンポ of 125 with a half-time of 62 テンポ and a double-time of 250 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 1/4.
The music key of this track is D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cecilia: Molto vivo e con fuoco | Licinio Refice, Federico Romano, Orchestra del Teatro Carlo Felice, Jochen Rieder | C Minor | 2 | 5A | 74 BPM | ||
Violin Concerto in D Minor "Accademico": II. Adagio | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron, Jack Liebeck | G Major | 1 | 9B | 79 BPM | ||
二つの悲しき旋律: 第2曲: 過ぎし春 | Edvard Grieg, 石田泰尚, 石田組 | F Major | 1 | 7B | 74 BPM | ||
Hamnöy 1976 I | Christian Lindberg, MIN Ensemble | A♭ Major | 6 | 4B | 99 BPM | ||
Beau Soir, L. 6 | Claude Debussy, Blake Pouliot, Hsin-I Huang | F♯ Minor | 1 | 11A | 172 BPM | ||
Zhou Long : Words of the Sun | Zhou Long, Chanticleer | F Minor | 0 | 4A | 73 BPM | ||
4 Vocalises, Op. 212 (arr. L. Lencses): Vocalise No. 3 | Lajos Lencsés, Charles Koechlin, Toulouse National Chamber Orchestra, Alain Moglia | F♯ Minor | 1 | 11A | 95 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
String Trio in D Major, Op. 9 No. 2: II. Andante quasi allegretto | Ludwig van Beethoven, Trio Goldberg | C Minor | 2 | 5A | 113 BPM | ||
For the Sleeping: Dream Sonata | Jörgen Dafgård, Henrik Frendin | F Minor | 0 | 4A | 126 BPM |