Johann Sebastian Bach, David Shipley, English Baroque Soloists, John Eliot Gardiner made "Mass in B Minor, BWV 232: Quoniam tu solus Sanctus (Bass)" available on November 6, 2015. With this song being about 5 minutes long, at 4:34, "Mass in B Minor, BWV 232: Quoniam tu solus Sanctus (Bass)" by Johann Sebastian Bach, David Shipley, English Baroque Soloists, John Eliot Gardiner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's "J.S. Bach: Mass in B Minor, BWV 232" album is number 10 out of 25. On top of that, United Kingdom appears to be the country where this track was created. Mass in B Minor, BWV 232: Quoniam tu solus Sanctus (Bass) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Mass in B Minor, BWV 232: Quoniam tu solus Sanctus (Bass) by Johann Sebastian Bach, David Shipley, English Baroque Soloists, John Eliot Gardiner to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For Flute, Violin, Harpsichord, And Strings In A Minor, BWV 1044: 2. Adagio ma non tanto e dolce | Johann Sebastian Bach, Wilbert Hazelzet, Reinhard Goebel, Andreas Staier, Musica Antiqua Köln | C Major | 3 | 8B | 103 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 7. Duetto (Soprano, Tenore) (Versus VI): So Feiern Wir Das Hohe Fest | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Frank Wakelkamp, Johann Sebastian Bach, Vaughan Schlepp, Bas Ramselaar, Sytse Buwalda, Ruth Holton, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
Vespro della Beata Vergine, SV 206: Ave maris stella a 8 - Live | Claudio Monteverdi, Michael Chance, Nigel Robson, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, Jakob Lindberg, The Monteverdi Choir, The London Oratory Junior Choir | D Major | 2 | 10B | 125 BPM | ||
Christ lag in Todesbanden, BWV 4: III. Den Tod niemand zwingen kunnt | Johann Sebastian Bach, Vox Luminis, Lionel Meunier, Zsuzsi Tóth, Victoria Cassano | E Minor | 0 | 9A | 113 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Allegro | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (2) Recitativo (Tenore): Er Kommt, Der Bräutgam Kommt | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Johann Sebastian Bach, Ruth Holton, Sytse Buwalda, Pieter Jan Leusink | B Minor | 0 | 10A | 81 BPM | ||
I. Mache Dich, Mein Geist, Bereit BWV 115, (1) Coro: Mache Dich, Mein Geist, Bereit | Pieter Jan Leusink, Nico Van Der Meel, Peter Frankenberg, Doretthe Janssens, Bas Ramselaar, Marjon Strijk, Holland Boys Choir, Netherlands Bach Collegium, Sytse Buwalda, Johann Sebastian Bach | F♯ Major | 1 | 2B | 112 BPM | ||
Goldberg Variations In G Major BWV 988, Aria With 30 Variations, Goldberg Variationen, G Dur BWV 988, Aria Mit 30 Veränderungen : Aria | Arts Music Recording, Rotterdam, Pieter-Jan Belder, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
St. Matthew Passion, BWV 244: Pt. II: Chorale. Befiehl du deine Wege | Johann Sebastian Bach, Marcus Ullmann, Klaus Mertens, Anna Korondi, Anke Vondung, Werner Güra, Hans Christoph Begemann, Neubeuern Choral Society, KlangVerwaltung Orchestra, Enoch zu Guttenberg | B Minor | 2 | 10A | 102 BPM | ||
I. Ich Hab In Gottes Herz Und Sinn BWV 92, Aria (Tenore): Seht, Seht! Wie Reißt, Wie Bricht | Pieter Jan Leusink, Peter Frankenberg, D'amore, Frank Wakelkamp, Bas Ramselaar, Ruth Holton, Knut Schoch, Sytse Buwalda, Johann Sebastian Bach, Ofer Frenkel, Holland Boys Choir; Netherlands Bach Collegium | A Major | 2 | 11B | 172 BPM |