Shiro SAGISU's 'Pour L’Eternite (part Ⅱ)' had a release date set for March 29, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in ベルセルク 黄金時代篇 MEMORIAL EDITION ORIGINAL SOUNDTRACK Disc 1, so we believe that "Pour L’Eternite (part Ⅱ)" is a single. Based on our statistics, Pour L’Eternite (part Ⅱ)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Pour L’Eternite (part Ⅱ) by Shiro SAGISU is Allegro (fast, quick, and bright), since this song has a tempo of 144 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Ruins as They Were | Kotaro Nakagawa | A Major | 2 | 11B | 73 BPM | ||
Erwin's Speech - From "Attack on Titan" | Anthony Hames | F Minor | 1 | 4A | 80 BPM | ||
Letter from a Friend (Orchestral) | Carlos Viola | F Minor | 1 | 4A | 107 BPM | ||
Suiri | Hideki Taniuchi | D♭ Major | 6 | 3B | 80 BPM | ||
Together Forever And Ever | Hiroaki Tsutsumi | G Major | 1 | 9B | 77 BPM | ||
ホムンクルス | Michiru Oshima | E Minor | 9 | 9A | 96 BPM | ||
Just a Myth | Trevor Morris, Trey Toy | C Minor | 5 | 5A | 78 BPM | ||
Nicole’s Theme (Solo Piano) | Trevor Gureckis | A♭ Minor | 1 | 1A | 143 BPM | ||
「巨像の気配」~「異形の者達~巨像との戦い~」~「開かれる道~巨像との戦い~」~「戦いの終り」~「偶像崩壊」(メドレー) | 柴田真郁, Tokyo Symphony Orchestra, 東響コーラス, 末永匡 | A Minor | 3 | 8A | 79 BPM | ||
Nanami's End of Journey | James Liam Figueroa | A Minor | 5 | 8A | 164 BPM |