"Aftermath" by Paul Haslinger was released on December 1, 2015. With Aftermath being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Tom Clancy's Siege (Original Game Soundtrack)". In this album, this song's track order is #16. In terms of popularity, Aftermath is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Aftermath by Paul Haslinger having a テンポ of 110 with a half-time of 55 テンポ and a double-time of 220 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Silk Vista | Johan Skugge, Jukka Rintamäki | G Major | 7 | 9B | 134 BPM | ||
The Mole | Michael McCann | E Major | 2 | 12B | 125 BPM | ||
Mega City One | Paul Leonard-Morgan | G Major | 4 | 9B | 100 BPM | ||
Load Out | Paul Haslinger | E Minor | 4 | 9A | 92 BPM | ||
The Shepherd | Jon Opstad, Paul Haslinger | E Major | 3 | 12B | 100 BPM | ||
IP Tracking | Brian Reitzell | D Minor | 2 | 7A | 134 BPM | ||
Aftermath | Jed Palmer | D Major | 1 | 10B | 70 BPM | ||
Pink Room | West Dylan Thordson | A♭ Major | 1 | 4B | 73 BPM | ||
Creepy Caller | Brian Reitzell | A♭ Major | 1 | 4B | 75 BPM | ||
Escape from Chicago | Brian Reitzell | B♭ Major | 1 | 6B | 75 BPM |